Ε' ΜΕΡΟΣ
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Το Α' ΜΕΡΟΣ στην Ανάρτηση Νο 1445
Το Β' ΜΕΡΟΣ στην Ανάρτηση Νο 1446
Το Γ' ΜΕΡΟΣ στην Ανάρτηση Νο 1447
Το Δ' ΜΕΡΟΣ στην Ανάρτηση Νο 1448
Το ΣΤ' ΜΕΡΟΣ στην Ανάρτηση Νο 1450
Το Ζ' ΜΕΡΟΣ στην Ανάρτηση Νο 1451
Το Η' ΜΕΡΟΣ στην Ανάρτηση Νο 1452
Το Θ' ΜΕΡΟΣ στην Ανάρτηση Νο 1453
Το Ι' ΜΕΡΟΣ στην Ανάρτηση Νο 1454
Το ΙΑ' ΜΕΡΟΣ στην Ανάρτηση Νο 1455
Το ΙΒ' ΜΕΡΟΣ στην Ανάρτηση Νο 1456
Το ΙΓ' ΜΕΡΟΣ στην Ανάρτηση Νο 1457
Το ΙΔ' ΜΕΡΟΣ στην Ανάρτηση Νο 1458
Το ΙΕ' ΜΕΡΟΣ στην Ανάρτηση Νο 1459
Το ΙΣΤ' ΜΕΡΟΣ στην Ανάρτηση Νο 1460
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από https://www.youtube.com/watch?v=u-Sy2VDWFqc
από https://www.youtube.com/watch?v=rE0ZHlUkIrw
από https://www.youtube.com/watch?v=VFaGn265fIk
Ferrante & Teicher
Misirlou
(Instrumental)
Μουσική-Στίχοι: Νίκος Ρουμπάνης
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From '' Classical Disco ''
Label: United Artists Records -- LT-980
Format: Vinyl, LP
Country: US
Released: 1979
Tracklist
A1 Rachmaninoff Piano (Concerto No.II)
A2 Ritual Fire Dance
A3 Grieg's Piano Concerto
A4 Sabre Dance
A5 Malaguena
B1 Misirlou
B2 Prelude In C# Minor
B3 Chopsticks
B4 Tchaikovsky Piano (Concerto No.I)
B5 Wedding March
Produced and conducted by Nick Perito
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Misirlou (Greek: Μισιρλού) is a popular Greek song with popularity in five styles of music: Greek rebetiko, Middle-Eastern belly dancing, Jewish Klezmer, American surf rock and international orchestral easy listening.
The song was first performed by the Michalis Patrinos rebetiko band in Athens, Greece in 1927.
As with almost all early rebetika songs (a style that originated with the Greek refugees from Asia Minor in Turkey), the song's actual composer has never been identified, and its ownership rested with the band leader. The melody was most likely composed collaboratively by the band, as was often the case at the time; the initial lyrics were almost certainly written by Patrinos himself. Patrinos, who originally lived in Smyrna, named the song Mısırlı or Misirlou which means an Egyptian girl, as opposed to Egyptian Christians who were referred to as 'Aigyptioi' in Greek.
Initially, the song was composed as a Greek (Asia Minor) tsifteteli dance, in the rebetiko style of music, at a slower tempo and a different key than the orientalized performances that most are familiar with today. This was the style of the first known recording by Michalis Patrinos in Greece, circa 1930 (which was circulated in the United States by Titos Dimitriadis' Orthophonic label); a second recording was made by Patrinos in New York, in 1931.
In 1941, Nick Roubanis, a Greek-American music instructor, released a jazz instrumental arrangement of the song, crediting himself as the composer. Since his claim was never legally challenged, he is still officially credited as the composer today worldwide, except in Greece where credit is variably given to either Roubanis or Patrinos. Subsequently S. Russell, N. Wise, and M. Leeds wrote English lyrics to the song. Roubanis is also credited with fine-tuning the key and the melody, giving it the oriental sound that it is associated with today. The song soon became an "exotica" standard among the light swing (lounge) bands of the day.
In 1944 maestro Clovis el-Hajj, an Arabic Lebanese musician, performed this song and called it "amal." This is the only Arabic version of this song.
In 1945, a Pittsburgh, Pennsylvania, women's musical organization asked Professor Brunhilde E. Dorsch to organize an international dance group at Duquesne University to honor America's World War II allies. She contacted Mercine Nesotas, who taught several Greek dances, including Syrtos Haniotikos (from Crete), which she called Kritikos, but for which they had no music. Because Pittsburgh's Greek-American community did not know Cretan music, Pat Mandros Kazalas, a music student, suggested the tune Misirlou, although slower, might fit the dance. The dance was first performed at a program to honor America's allies of World War II at Stephen Foster Memorial Hall in Pittsburgh on March 6, 1945. Thereafter, this new dance, which had been created by putting the Syrtos Kritikos to the slower Misirlou music, was known as "Misirlou" and spread among the Greek-American community, as well as among non-Greek U.S. folk-dance enthusiasts. The dance is also performed to instrumental versions of Never on Sunday by Manos Hadjidakis.
The song was rearranged as a solo instrumental guitar piece by Dick Dale in 1962. During a performance, Dale was bet by a young fan that he could not play a song on only one string of his guitar. Dale's father and uncles were Lebanese-American musicians, and Dale remembered seeing his uncle play "Misirlou" on one string of the oud. He vastly increased the song's tempo to make it into rock'n'roll. It was Dale's version that introduced "Misirlou" to a wider audience in the United States as "Miserlou."
The song's oriental melody has been so popular for so long that many people, from Morocco to Iraq, claim it to be a folk song from their own country. In fact, in the realm of Middle Eastern music, the song is a very simplistic one, since it is little more than going up and down the Hijaz Kar or double harmonic scale (E-F-G#-A-B-C-D#).
The Beach Boys recorded a Dale-inspired "Miserlou" for the 1963 album Surfin' USA, Hundreds of recordings have been made to date, by performers as diverse as Agent Orange and Connie Francis (1965).
The Trashmen also recorded their "Miserlou" version.
In 1994, Dale's version of "Miserlou" was used on the soundtrack of the motion picture Pulp Fiction, thanks to a suggestion to Quentin Tarantino from his friend Boyd Rice.
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Hallmark Records -- HM 568 (1968)
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From The 1961 United Artists Records Album: "Golden Piano Hits"
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από https://www.youtube.com/watch?v=5hyUhcnCP88
από https://www.youtube.com/watch?v=6HLIC4UuWdM
από https://www.youtube.com/watch?v=w1LH6F3pV6E
από https://www.youtube.com/watch?v=izmeEHOM6Vg
από https://www.youtube.com/watch?v=qINoaWZwpj0
από https://www.youtube.com/watch?v=_pXgicyUhX0
από https://www.youtube.com/watch?v=ILdc1euZNaA
από https://www.youtube.com/watch?v=CIe90wCpKQs
από https://www.youtube.com/watch?v=cV5h2v0-ukM
από https://www.youtube.com/watch?v=SOKELBffCEs
από https://www.youtube.com/watch?v=i9sNkLwU2k0
από https://www.youtube.com/watch?v=sTL2EIogRRM
Zeki Müren
Yaralı Gönül (Misirlou)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Τουρκικοί Στίχοι: Suat Sayın
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Υaralı bir gönülden başka ne bıraktın bende hatıra
günah değil mi yazık değil mi bana
gel yeter artık sar beni kollarına.
Ah, bu acı, bu keder, ne zaman biter
ah, bu acı, bu keder, ne zaman biter
bırak bu nazı, bırak bu inadı
senin de gönlün daha dünden razı.
Bekliyorum, bahar gelmeden
usanmam seni özlemekten
hazinelerden daha değerlisin
inan sevgilim, benim gözümde sen.
Ah, bu acı, bu keder, ne zaman biter
ah, bu acı, bu keder, ne zaman biter
bırak bu nazı, bırak bu inadı
senin de gönlün daha dünden razı.
Yaralı bir gönülden başka ne bıraktın bende hatıra
günah değil mi yazık değil mi bana
gel yeter artık sar beni kollarına
ah, bu acı, bu keder, ne zaman biter
ah, bu acı, bu keder, ne zaman biter
bırak bu nazı, bırak bu inadı
senin de gönlün daha dünden razı.
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Pulp Fiction filminde dinledigimiz Pump It sarkisini Zeki Muren seslendirmis
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(O)mix (Pulp Fiction)
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RÜYA GİBİ 1971
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Yaralı bir gönülden başka
Ne bıraktın bende hatıra
Günah değil mi yazık değil mi bana
Gel yeter artık sar beni kollarına
Ah bu acı bu keder ne zaman biter
Ah bu acı bu keder ne zaman biter
Bırak bu nazı bırak bu inadı
Senin de gönlün daha dünden razı
Gidiyorum bahar gelmeden
Usanmam seni özlemekten
Hazinelerden daha değerlisin
Inan sevgilim benim gözümde sen
Ah bu acı bu keder ne zaman biter
Bırak bu nazı bırak bu inadı
Senin de gönlün daha dünden razı
Yaralı bir gönülden başka
Ne bıraktın bende hatıra
Günah değil mi yazık değil mi bana
Gel yeter artık sar beni kollarına
Ah bu acı bu keder ne zaman biter
Bırak bu nazı bırak bu inadı
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KARADAYI FİLM
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(Remix)
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από https://www.youtube.com/watch?v=GVaZhP0L9M0
από https://www.youtube.com/watch?v=hhgZZfnuvKY
από https://www.youtube.com/watch?v=bNBqOZGH59o
από https://www.youtube.com/watch?v=JncVv4jHxFM
από https://www.youtube.com/watch?v=CAXVhAnW39M
Hasan Doğru
Yaralı Gönül (Misirlou)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Τουρκικοί Στίχοι: Suat Sayın
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Beyaz Show - O Ses Türkiye 31.01.2014
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(O Ses Türkiye Performansı)
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O Ses Türkiye Eşleşme - (24 Aralık 2013)
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O Ses Türkiye - 24.12.2013
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O Ses Türkiye 2013 Canlı Performans 24 Aralık 2013
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από https://www.youtube.com/watch?v=8R8pGvz2t0s
Momentum
Yaralı Gönül (Misirlou)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Τουρκικοί Στίχοι: Suat Sayın
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Restt Live Performance Hall Performansı
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από https://www.youtube.com/watch?v=rAKHKVUpKYA
από https://www.youtube.com/watch?v=wAvh6slLvLo
από https://www.youtube.com/watch?v=C1_BZQOGDFI
Hüsnü ŞENLENDİRİCİ
Misirlou
(Instrumental)
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"Hüsnü Şenlendirici Hüsn-ü Hicaz" 2011
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Yeni Albümü Hüsnü Hicaz sonrası İlk Programı TNT Hulya Avşar Show
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2013 (Bir Tuş Bir Tel Bir De Nefes Konseri - Uşak)
Piyano: Seyhan Canyakan
Klasik Gitar: Onur Altıntuğ
Percussion: Cemal Özkızıltaş - Abdi Harman
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από https://www.youtube.com/watch?v=ZDyhpX6beOw
από https://www.youtube.com/watch?v=1Bpi9nthqeY
Pamela Spence
Yaralı Gönül (Misirlou)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Τουρκικοί Στίχοι: Suat Sayın
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από https://www.youtube.com/watch?v=VNaJ6h9_6Sw
από https://www.youtube.com/watch?v=1tP_Ks-3OhI
από https://www.youtube.com/watch?v=TzKYPFSh6Iw
από https://www.youtube.com/watch?v=l1AiBwnnIyY
από https://www.youtube.com/watch?v=nSDznYI8uvY
από https://www.youtube.com/watch?v=H2kZ6QgVA_8
από https://www.youtube.com/watch?v=wiciJzZ2e3k
Umut Kuzey
Yaralı Gönül (Misirlou)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Τουρκικοί Στίχοι: Suat Sayın
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SORMA (2012 / ARPEJ YAPIM)
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(Jolly Joker İstanbul - Konser Başlangıcı)
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in BKM Mutfak sahnesinden...
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(Jolly Joker İstanbul - Konser Sonu)
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(Adana Konseri) 05.10.2012
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από https://www.youtube.com/watch?v=cTd_SmHQkOQ
Candan ERÇETİN
Yaralı Gönül (Misirlou)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Τουρκικοί Στίχοι: Suat Sayın
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από https://www.youtube.com/watch?v=5oOmKtmKdH8
Nazif Tunç ve Uykusuzlar
Yaralı Gönül (Misirlou)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Τουρκικοί Στίχοι: Suat Sayın
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Turkcellmuzik.com ana sayfasında 29.06.12 tarihinde 8'den sonra konserlerinde yaptığımız canlı performans. Vokallerde Argın AYTAÇ
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από https://www.youtube.com/watch?v=A8j1oMJ9DbQ
ORKESTRA A LA TURKİ
YARALI GÖNÜL (Misirlou)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Τουρκικοί Στίχοι: Suat Sayın
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από https://www.youtube.com/watch?v=k37shmm06JA
Cemal Arslangazi ve Grubu
Yaralı Gönül (Misirlou)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Τουρκικοί Στίχοι: Suat Sayın
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(Pulp Fiction)
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από https://www.youtube.com/watch?v=wuyRX0FXnx8
Artur Menezes e Pantico Rocha & Unidos da Cachorra
Misirlou
(Instrumental)
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Artur Menezes plays Misirlou, by Dick Dale, with the special guest Pantico Rocha & Unidos da Cachorra (Samba School), at Centro Cultural Dragão do Mar, Fortaleza, Ceara, Brazil. 2/2/13.
Artur Menezes - guitar;
Claudio Mendes - guitar;
Lucas Ribeiro - bass;
Wladimir Catunda - drums;
Pantico Rocha & Unidos da Cachora - Samba School.
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από https://www.youtube.com/watch?v=a6XagwmbDxo
Artur Menezes
Misirlou
(Instrumental)
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at Rio Das Ostras Jazz & Blues 2012, Rio das Ostras, Rio de Janeiro. jun/9/2012.
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από https://www.youtube.com/watch?v=QPvnd55ZaeA
Patrick Abrial
Misirlou
(Instrumental)
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Taxi 1 music: (Taxi theme)
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από https://www.youtube.com/watch?v=UROw-Ud-9xU
Brassroots
Misirlou
(Instrumental)
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(From Pulp Fiction) - live in a London nightclub.
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από https://www.youtube.com/watch?v=wW2Hv3WHiM8
Tuba Quartet
Misirlou
(Instrumental)
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from Pulp Fiction
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από https://www.youtube.com/watch?v=hWFC7PoWQos
Darko Nikcevic
Misirlou
(Instrumental)
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Ljubo Jovovic - director, Jovan Jovovic - camera,
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από https://www.youtube.com/watch?v=r8pMR0a0hW4
Les Z'improvistes
Misirlou
(Instrumental)
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2012 - La Peña Les Z'improvistes au Festival des Bandas de Sauvian "Misirlou" interprété par La Peña Les Z'improvistes la Peña de Saint-Georges-d'Orques (34 Hérault)
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από https://www.youtube.com/watch?v=_hNdMRfpPn0
από https://www.youtube.com/watch?v=CD8wBckeNFQ
από https://www.youtube.com/watch?v=42GvIvdcFqs
Kasabian
Misirlou
(Instrumental)
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(Sziget Festival 2011)
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Fast Fuse / Misirlou MEDLEY
live @ Ejekt festival, Platia Nerou, Athens. 27.06.2012
(Ejekt festival 2012 line up: Kasabian, James, Miles Kane, Band Of Skulls, Customs, Wheatman)
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@ Hard Rock Calling, London 29/06/2013
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από https://www.youtube.com/watch?v=7CPHUqTQXlQ
Misirlou
(Instrumental)
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Paul Violante on alto sax, Pat Walsh on guitar, Nick Sorenson on bass and Mathew Taylor (profesional drummer) playing misirlou at ryles jazz club on 7/26/07
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από https://www.youtube.com/watch?v=lIMjfjKyZKc
cellostrada
Misirlou
(Instrumental)
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(Pulp Fiction)- Πολωνέζικο Σύνολο
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από https://www.youtube.com/watch?v=5VewASdxIg0
la Fanfare du Bono (Les Dédés en Bulles)
Misirlou / Misourlou
(Instrumental)
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Misirlou (ou Miserlou), qui signifie Égyptienne (en grec Μισιρλού, de l'arabe مصر, Miṣr, Égypte), est une chanson populaire d'origine grecque. Elle a été chantée pour la première fois en 1927 en Grèce par l'orchestre de rebetiko de Michalis Patrinos ; il est difficile de dire qui a écrit la musique de la chanson et il peut s'agir d'une mélodie orientale plus ou moins traditionnelle, raison pour laquelle plusieurs communautés en revendiquent parfois la paternité. L'utilisation de cette version par Quentin Tarantino pour la musique de son film Pulp Fiction en 1994 a remis le morceau au goût du jour.
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ΣΥΝΕΧΕΙΑ στην ανάρτηση Νο 1450
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Το Α' ΜΕΡΟΣ στην Ανάρτηση Νο 1445
Το Β' ΜΕΡΟΣ στην Ανάρτηση Νο 1446
Το Γ' ΜΕΡΟΣ στην Ανάρτηση Νο 1447
Το Δ' ΜΕΡΟΣ στην Ανάρτηση Νο 1448
Το ΣΤ' ΜΕΡΟΣ στην Ανάρτηση Νο 1450
Το Ζ' ΜΕΡΟΣ στην Ανάρτηση Νο 1451
Το Η' ΜΕΡΟΣ στην Ανάρτηση Νο 1452
Το Θ' ΜΕΡΟΣ στην Ανάρτηση Νο 1453
Το Ι' ΜΕΡΟΣ στην Ανάρτηση Νο 1454
Το ΙΑ' ΜΕΡΟΣ στην Ανάρτηση Νο 1455
Το ΙΒ' ΜΕΡΟΣ στην Ανάρτηση Νο 1456
Το ΙΓ' ΜΕΡΟΣ στην Ανάρτηση Νο 1457
Το ΙΔ' ΜΕΡΟΣ στην Ανάρτηση Νο 1458
Το ΙΕ' ΜΕΡΟΣ στην Ανάρτηση Νο 1459
Το ΙΣΤ' ΜΕΡΟΣ στην Ανάρτηση Νο 1460
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από https://www.youtube.com/watch?v=u-Sy2VDWFqc
από https://www.youtube.com/watch?v=rE0ZHlUkIrw
από https://www.youtube.com/watch?v=VFaGn265fIk
Ferrante & Teicher
Misirlou
(Instrumental)
Μουσική-Στίχοι: Νίκος Ρουμπάνης
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From '' Classical Disco ''
Label: United Artists Records -- LT-980
Format: Vinyl, LP
Country: US
Released: 1979
Tracklist
A1 Rachmaninoff Piano (Concerto No.II)
A2 Ritual Fire Dance
A3 Grieg's Piano Concerto
A4 Sabre Dance
A5 Malaguena
B1 Misirlou
B2 Prelude In C# Minor
B3 Chopsticks
B4 Tchaikovsky Piano (Concerto No.I)
B5 Wedding March
Produced and conducted by Nick Perito
------------------------
Misirlou (Greek: Μισιρλού) is a popular Greek song with popularity in five styles of music: Greek rebetiko, Middle-Eastern belly dancing, Jewish Klezmer, American surf rock and international orchestral easy listening.
The song was first performed by the Michalis Patrinos rebetiko band in Athens, Greece in 1927.
As with almost all early rebetika songs (a style that originated with the Greek refugees from Asia Minor in Turkey), the song's actual composer has never been identified, and its ownership rested with the band leader. The melody was most likely composed collaboratively by the band, as was often the case at the time; the initial lyrics were almost certainly written by Patrinos himself. Patrinos, who originally lived in Smyrna, named the song Mısırlı or Misirlou which means an Egyptian girl, as opposed to Egyptian Christians who were referred to as 'Aigyptioi' in Greek.
Initially, the song was composed as a Greek (Asia Minor) tsifteteli dance, in the rebetiko style of music, at a slower tempo and a different key than the orientalized performances that most are familiar with today. This was the style of the first known recording by Michalis Patrinos in Greece, circa 1930 (which was circulated in the United States by Titos Dimitriadis' Orthophonic label); a second recording was made by Patrinos in New York, in 1931.
In 1941, Nick Roubanis, a Greek-American music instructor, released a jazz instrumental arrangement of the song, crediting himself as the composer. Since his claim was never legally challenged, he is still officially credited as the composer today worldwide, except in Greece where credit is variably given to either Roubanis or Patrinos. Subsequently S. Russell, N. Wise, and M. Leeds wrote English lyrics to the song. Roubanis is also credited with fine-tuning the key and the melody, giving it the oriental sound that it is associated with today. The song soon became an "exotica" standard among the light swing (lounge) bands of the day.
In 1944 maestro Clovis el-Hajj, an Arabic Lebanese musician, performed this song and called it "amal." This is the only Arabic version of this song.
In 1945, a Pittsburgh, Pennsylvania, women's musical organization asked Professor Brunhilde E. Dorsch to organize an international dance group at Duquesne University to honor America's World War II allies. She contacted Mercine Nesotas, who taught several Greek dances, including Syrtos Haniotikos (from Crete), which she called Kritikos, but for which they had no music. Because Pittsburgh's Greek-American community did not know Cretan music, Pat Mandros Kazalas, a music student, suggested the tune Misirlou, although slower, might fit the dance. The dance was first performed at a program to honor America's allies of World War II at Stephen Foster Memorial Hall in Pittsburgh on March 6, 1945. Thereafter, this new dance, which had been created by putting the Syrtos Kritikos to the slower Misirlou music, was known as "Misirlou" and spread among the Greek-American community, as well as among non-Greek U.S. folk-dance enthusiasts. The dance is also performed to instrumental versions of Never on Sunday by Manos Hadjidakis.
The song was rearranged as a solo instrumental guitar piece by Dick Dale in 1962. During a performance, Dale was bet by a young fan that he could not play a song on only one string of his guitar. Dale's father and uncles were Lebanese-American musicians, and Dale remembered seeing his uncle play "Misirlou" on one string of the oud. He vastly increased the song's tempo to make it into rock'n'roll. It was Dale's version that introduced "Misirlou" to a wider audience in the United States as "Miserlou."
The song's oriental melody has been so popular for so long that many people, from Morocco to Iraq, claim it to be a folk song from their own country. In fact, in the realm of Middle Eastern music, the song is a very simplistic one, since it is little more than going up and down the Hijaz Kar or double harmonic scale (E-F-G#-A-B-C-D#).
The Beach Boys recorded a Dale-inspired "Miserlou" for the 1963 album Surfin' USA, Hundreds of recordings have been made to date, by performers as diverse as Agent Orange and Connie Francis (1965).
The Trashmen also recorded their "Miserlou" version.
In 1994, Dale's version of "Miserlou" was used on the soundtrack of the motion picture Pulp Fiction, thanks to a suggestion to Quentin Tarantino from his friend Boyd Rice.
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Hallmark Records -- HM 568 (1968)
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From The 1961 United Artists Records Album: "Golden Piano Hits"
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από https://www.youtube.com/watch?v=5hyUhcnCP88
από https://www.youtube.com/watch?v=6HLIC4UuWdM
από https://www.youtube.com/watch?v=w1LH6F3pV6E
από https://www.youtube.com/watch?v=izmeEHOM6Vg
από https://www.youtube.com/watch?v=qINoaWZwpj0
από https://www.youtube.com/watch?v=_pXgicyUhX0
από https://www.youtube.com/watch?v=ILdc1euZNaA
από https://www.youtube.com/watch?v=CIe90wCpKQs
από https://www.youtube.com/watch?v=cV5h2v0-ukM
από https://www.youtube.com/watch?v=SOKELBffCEs
από https://www.youtube.com/watch?v=i9sNkLwU2k0
από https://www.youtube.com/watch?v=sTL2EIogRRM
Zeki Müren
Yaralı Gönül (Misirlou)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Τουρκικοί Στίχοι: Suat Sayın
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Υaralı bir gönülden başka ne bıraktın bende hatıra
günah değil mi yazık değil mi bana
gel yeter artık sar beni kollarına.
Ah, bu acı, bu keder, ne zaman biter
ah, bu acı, bu keder, ne zaman biter
bırak bu nazı, bırak bu inadı
senin de gönlün daha dünden razı.
Bekliyorum, bahar gelmeden
usanmam seni özlemekten
hazinelerden daha değerlisin
inan sevgilim, benim gözümde sen.
Ah, bu acı, bu keder, ne zaman biter
ah, bu acı, bu keder, ne zaman biter
bırak bu nazı, bırak bu inadı
senin de gönlün daha dünden razı.
Yaralı bir gönülden başka ne bıraktın bende hatıra
günah değil mi yazık değil mi bana
gel yeter artık sar beni kollarına
ah, bu acı, bu keder, ne zaman biter
ah, bu acı, bu keder, ne zaman biter
bırak bu nazı, bırak bu inadı
senin de gönlün daha dünden razı.
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Pulp Fiction filminde dinledigimiz Pump It sarkisini Zeki Muren seslendirmis
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(O)mix (Pulp Fiction)
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RÜYA GİBİ 1971
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Yaralı bir gönülden başka
Ne bıraktın bende hatıra
Günah değil mi yazık değil mi bana
Gel yeter artık sar beni kollarına
Ah bu acı bu keder ne zaman biter
Ah bu acı bu keder ne zaman biter
Bırak bu nazı bırak bu inadı
Senin de gönlün daha dünden razı
Gidiyorum bahar gelmeden
Usanmam seni özlemekten
Hazinelerden daha değerlisin
Inan sevgilim benim gözümde sen
Ah bu acı bu keder ne zaman biter
Bırak bu nazı bırak bu inadı
Senin de gönlün daha dünden razı
Yaralı bir gönülden başka
Ne bıraktın bende hatıra
Günah değil mi yazık değil mi bana
Gel yeter artık sar beni kollarına
Ah bu acı bu keder ne zaman biter
Bırak bu nazı bırak bu inadı
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KARADAYI FİLM
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(Remix)
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από https://www.youtube.com/watch?v=GVaZhP0L9M0
από https://www.youtube.com/watch?v=hhgZZfnuvKY
από https://www.youtube.com/watch?v=bNBqOZGH59o
από https://www.youtube.com/watch?v=JncVv4jHxFM
από https://www.youtube.com/watch?v=CAXVhAnW39M
Hasan Doğru
Yaralı Gönül (Misirlou)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Τουρκικοί Στίχοι: Suat Sayın
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Beyaz Show - O Ses Türkiye 31.01.2014
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(O Ses Türkiye Performansı)
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O Ses Türkiye Eşleşme - (24 Aralık 2013)
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O Ses Türkiye - 24.12.2013
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O Ses Türkiye 2013 Canlı Performans 24 Aralık 2013
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από https://www.youtube.com/watch?v=8R8pGvz2t0s
Momentum
Yaralı Gönül (Misirlou)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Τουρκικοί Στίχοι: Suat Sayın
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Restt Live Performance Hall Performansı
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από https://www.youtube.com/watch?v=rAKHKVUpKYA
από https://www.youtube.com/watch?v=wAvh6slLvLo
από https://www.youtube.com/watch?v=C1_BZQOGDFI
Hüsnü ŞENLENDİRİCİ
Misirlou
(Instrumental)
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"Hüsnü Şenlendirici Hüsn-ü Hicaz" 2011
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Yeni Albümü Hüsnü Hicaz sonrası İlk Programı TNT Hulya Avşar Show
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2013 (Bir Tuş Bir Tel Bir De Nefes Konseri - Uşak)
Piyano: Seyhan Canyakan
Klasik Gitar: Onur Altıntuğ
Percussion: Cemal Özkızıltaş - Abdi Harman
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από https://www.youtube.com/watch?v=ZDyhpX6beOw
από https://www.youtube.com/watch?v=1Bpi9nthqeY
Pamela Spence
Yaralı Gönül (Misirlou)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Τουρκικοί Στίχοι: Suat Sayın
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από https://www.youtube.com/watch?v=VNaJ6h9_6Sw
από https://www.youtube.com/watch?v=1tP_Ks-3OhI
από https://www.youtube.com/watch?v=TzKYPFSh6Iw
από https://www.youtube.com/watch?v=l1AiBwnnIyY
από https://www.youtube.com/watch?v=nSDznYI8uvY
από https://www.youtube.com/watch?v=H2kZ6QgVA_8
από https://www.youtube.com/watch?v=wiciJzZ2e3k
Umut Kuzey
Yaralı Gönül (Misirlou)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Τουρκικοί Στίχοι: Suat Sayın
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SORMA (2012 / ARPEJ YAPIM)
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(Jolly Joker İstanbul - Konser Başlangıcı)
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in BKM Mutfak sahnesinden...
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(Jolly Joker İstanbul - Konser Sonu)
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(Adana Konseri) 05.10.2012
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από https://www.youtube.com/watch?v=cTd_SmHQkOQ
Candan ERÇETİN
Yaralı Gönül (Misirlou)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Τουρκικοί Στίχοι: Suat Sayın
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από https://www.youtube.com/watch?v=5oOmKtmKdH8
Nazif Tunç ve Uykusuzlar
Yaralı Gönül (Misirlou)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Τουρκικοί Στίχοι: Suat Sayın
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Turkcellmuzik.com ana sayfasında 29.06.12 tarihinde 8'den sonra konserlerinde yaptığımız canlı performans. Vokallerde Argın AYTAÇ
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από https://www.youtube.com/watch?v=A8j1oMJ9DbQ
ORKESTRA A LA TURKİ
YARALI GÖNÜL (Misirlou)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Τουρκικοί Στίχοι: Suat Sayın
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από https://www.youtube.com/watch?v=k37shmm06JA
Cemal Arslangazi ve Grubu
Yaralı Gönül (Misirlou)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Τουρκικοί Στίχοι: Suat Sayın
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(Pulp Fiction)
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από https://www.youtube.com/watch?v=wuyRX0FXnx8
Artur Menezes e Pantico Rocha & Unidos da Cachorra
Misirlou
(Instrumental)
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Artur Menezes plays Misirlou, by Dick Dale, with the special guest Pantico Rocha & Unidos da Cachorra (Samba School), at Centro Cultural Dragão do Mar, Fortaleza, Ceara, Brazil. 2/2/13.
Artur Menezes - guitar;
Claudio Mendes - guitar;
Lucas Ribeiro - bass;
Wladimir Catunda - drums;
Pantico Rocha & Unidos da Cachora - Samba School.
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από https://www.youtube.com/watch?v=a6XagwmbDxo
Artur Menezes
Misirlou
(Instrumental)
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at Rio Das Ostras Jazz & Blues 2012, Rio das Ostras, Rio de Janeiro. jun/9/2012.
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από https://www.youtube.com/watch?v=QPvnd55ZaeA
Patrick Abrial
Misirlou
(Instrumental)
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Taxi 1 music: (Taxi theme)
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από https://www.youtube.com/watch?v=UROw-Ud-9xU
Brassroots
Misirlou
(Instrumental)
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(From Pulp Fiction) - live in a London nightclub.
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από https://www.youtube.com/watch?v=wW2Hv3WHiM8
Tuba Quartet
Misirlou
(Instrumental)
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from Pulp Fiction
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από https://www.youtube.com/watch?v=hWFC7PoWQos
Darko Nikcevic
Misirlou
(Instrumental)
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Ljubo Jovovic - director, Jovan Jovovic - camera,
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από https://www.youtube.com/watch?v=r8pMR0a0hW4
Les Z'improvistes
Misirlou
(Instrumental)
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2012 - La Peña Les Z'improvistes au Festival des Bandas de Sauvian "Misirlou" interprété par La Peña Les Z'improvistes la Peña de Saint-Georges-d'Orques (34 Hérault)
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από https://www.youtube.com/watch?v=_hNdMRfpPn0
από https://www.youtube.com/watch?v=CD8wBckeNFQ
από https://www.youtube.com/watch?v=42GvIvdcFqs
Kasabian
Misirlou
(Instrumental)
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(Sziget Festival 2011)
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Fast Fuse / Misirlou MEDLEY
live @ Ejekt festival, Platia Nerou, Athens. 27.06.2012
(Ejekt festival 2012 line up: Kasabian, James, Miles Kane, Band Of Skulls, Customs, Wheatman)
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@ Hard Rock Calling, London 29/06/2013
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από https://www.youtube.com/watch?v=7CPHUqTQXlQ
Misirlou
(Instrumental)
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Paul Violante on alto sax, Pat Walsh on guitar, Nick Sorenson on bass and Mathew Taylor (profesional drummer) playing misirlou at ryles jazz club on 7/26/07
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από https://www.youtube.com/watch?v=lIMjfjKyZKc
cellostrada
Misirlou
(Instrumental)
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(Pulp Fiction)- Πολωνέζικο Σύνολο
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από https://www.youtube.com/watch?v=5VewASdxIg0
la Fanfare du Bono (Les Dédés en Bulles)
Misirlou / Misourlou
(Instrumental)
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Misirlou (ou Miserlou), qui signifie Égyptienne (en grec Μισιρλού, de l'arabe مصر, Miṣr, Égypte), est une chanson populaire d'origine grecque. Elle a été chantée pour la première fois en 1927 en Grèce par l'orchestre de rebetiko de Michalis Patrinos ; il est difficile de dire qui a écrit la musique de la chanson et il peut s'agir d'une mélodie orientale plus ou moins traditionnelle, raison pour laquelle plusieurs communautés en revendiquent parfois la paternité. L'utilisation de cette version par Quentin Tarantino pour la musique de son film Pulp Fiction en 1994 a remis le morceau au goût du jour.
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ΣΥΝΕΧΕΙΑ στην ανάρτηση Νο 1450
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