Ζ' ΜΕΡΟΣ
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Το Α' ΜΕΡΟΣ στην Ανάρτηση Νο 1445
Το Β' ΜΕΡΟΣ στην Ανάρτηση Νο 1446
Το Γ' ΜΕΡΟΣ στην Ανάρτηση Νο 1447
Το Δ' ΜΕΡΟΣ στην Ανάρτηση Νο 1448
Το Ε' ΜΕΡΟΣ στην Ανάρτηση Νο 1449
Το ΣΤ' ΜΕΡΟΣ στην Ανάρτηση Νο 1450
Το Η' ΜΕΡΟΣ στην Ανάρτηση Νο 1452
Το Θ' ΜΕΡΟΣ στην Ανάρτηση Νο 1453
Το Ι' ΜΕΡΟΣ στην Ανάρτηση Νο 1454
Το ΙΑ' ΜΕΡΟΣ στην Ανάρτηση Νο 1455
Το ΙΒ' ΜΕΡΟΣ στην Ανάρτηση Νο 1456
Το ΙΓ' ΜΕΡΟΣ στην Ανάρτηση Νο 1457
Το ΙΔ' ΜΕΡΟΣ στην Ανάρτηση Νο 1458
Το ΙΕ' ΜΕΡΟΣ στην Ανάρτηση Νο 1459
Το ΙΣΤ' ΜΕΡΟΣ στην Ανάρτηση Νο 1460
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από https://www.youtube.com/watch?v=rRlx3Ux37AA
από https://www.youtube.com/watch?v=YY0LSoRuo2A
από https://www.youtube.com/watch?v=UK6u89b5fjg
από https://www.youtube.com/watch?v=-W6n1h94fRc
από https://www.youtube.com/watch?v=clOvVHuMR1I
The Beach Boys
Misirlou
Μουσική-Στίχοι: Νίκος Ρουμπάνης
(Instrumental)
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LP "Surfin' U.S.A", CAPITOL T 1890 (Mono) Surf Wax from March of 1963 (#2 US and #17 UK...the LP)
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από https://www.youtube.com/watch?v=IQ89uk55mXA
Clovis el-Hajj
amal (Misirlou)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Αραβικοί Στίχοι:
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In 1944, Lebanese musician Clovis el-Hajj performed "misirlou" and called it "Amal". This is the only known Arabic language version of the song to date.
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από https://www.youtube.com/watch?v=_mMxEVSfQXU
από https://www.youtube.com/watch?v=S8kx76PXcyA
από https://www.youtube.com/watch?v=kkiRE-J3u3A
Bob Kames
Misirlou
(Instrumental)
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From '' Mack The Knife / Misirlou ''
Label: King -- 45-5559
Format: Vinyl, 7''
Country: US
Released: 1961
Tracklist
A Mack The Knife
B Misirlou
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από https://www.youtube.com/watch?v=I5tUVx9_npM
The Cosmonauts
Misirlou
(Instrumental)
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(Surf Cover)
From '' C'mon Do The Laika! ''
Label: Dojo -- DOJLP 5010
Format: Vinyl, LP, Album
Country: Finland
Released: 1988
Tracklist
A1 C'Mon Do The Laika
A2 Out Of Limits
A3 Rampage
A4 Beat Girl
A5 Lonely Bull (Vibraphone - Jörgen Asplund)
A6 Fugitive
A7 James Bond Theme
A8 1'45
B1 Beat 88'
B2 Penetration
B3 Salt Mine Twist
B4 Misirlou
B5 Fear
B6 Zero Gravity Stomp (...And Meanwhile On Earth)
B7 Baja
B8 Moondawg
Recorded With Big Mac's Track Shack.
Publisher (c) 1988 Castle Finland Oy/Ltd.
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Misirlou (Greek: Μισιρλού) is a popular Greek song with popularity in five styles of music: Greek rebetiko, Middle-Eastern belly dancing, Jewish Klezmer, American surf rock and international orchestral easy listening.
The song was first performed by the Michalis Patrinos rebetiko band in Athens, Greece in 1927.
As with almost all early rebetika songs (a style that originated with the Greek refugees from Asia Minor in Turkey), the song's actual composer has never been identified, and its ownership rested with the band leader. The melody was most likely composed collaboratively by the band, as was often the case at the time; the initial lyrics were almost certainly written by Patrinos himself. Patrinos, who originally lived in Smyrna, named the song Mısırlı or Misirlou which means an Egyptian girl, as opposed to Egyptian Christians who were referred to as 'Aigyptioi' in Greek.
Initially, the song was composed as a Greek (Asia Minor) tsifteteli dance, in the rebetiko style of music, at a slower tempo and a different key than the orientalized performances that most are familiar with today. This was the style of the first known recording by Michalis Patrinos in Greece, circa 1930 (which was circulated in the United States by Titos Dimitriadis' Orthophonic label); a second recording was made by Patrinos in New York, in 1931.
In 1941, Nick Roubanis, a Greek-American music instructor, released a jazz instrumental arrangement of the song, crediting himself as the composer. Since his claim was never legally challenged, he is still officially credited as the composer today worldwide, except in Greece where credit is variably given to either Roubanis or Patrinos. Subsequently S. Russell, N. Wise, and M. Leeds wrote English lyrics to the song. Roubanis is also credited with fine-tuning the key and the melody, giving it the oriental sound that it is associated with today. The song soon became an "exotica" standard among the light swing (lounge) bands of the day.
In 1944 maestro Clovis el-Hajj, an Arabic Lebanese musician, performed this song and called it "amal." This is the only Arabic version of this song.
In 1945, a Pittsburgh, Pennsylvania, women's musical organization asked Professor Brunhilde E. Dorsch to organize an international dance group at Duquesne University to honor America's World War II allies. She contacted Mercine Nesotas, who taught several Greek dances, including Syrtos Haniotikos (from Crete), which she called Kritikos, but for which they had no music. Because Pittsburgh's Greek-American community did not know Cretan music, Pat Mandros Kazalas, a music student, suggested the tune Misirlou, although slower, might fit the dance. The dance was first performed at a program to honor America's allies of World War II at Stephen Foster Memorial Hall in Pittsburgh on March 6, 1945. Thereafter, this new dance, which had been created by putting the Syrtos Kritikos to the slower Misirlou music, was known as "Misirlou" and spread among the Greek-American community, as well as among non-Greek U.S. folk-dance enthusiasts. The dance is also performed to instrumental versions of Never on Sunday by Manos Hadjidakis.
The song was rearranged as a solo instrumental guitar piece by Dick Dale in 1962. During a performance, Dale was bet by a young fan that he could not play a song on only one string of his guitar. Dale's father and uncles were Lebanese-American musicians, and Dale remembered seeing his uncle play "Misirlou" on one string of the oud. He vastly increased the song's tempo to make it into rock'n'roll. It was Dale's version that introduced "Misirlou" to a wider audience in the United States as "Miserlou."
The song's oriental melody has been so popular for so long that many people, from Morocco to Iraq, claim it to be a folk song from their own country. In fact, in the realm of Middle Eastern music, the song is a very simplistic one, since it is little more than going up and down the Hijaz Kar or double harmonic scale (E-F-G#-A-B-C-D#).
The Beach Boys recorded a Dale-inspired "Miserlou" for the 1963 album Surfin' USA, Hundreds of recordings have been made to date, by performers as diverse as Agent Orange and Connie Francis (1965).
The Trashmen also recorded their "Miserlou" version.
In 1994, Dale's version of "Miserlou" was used on the soundtrack of the motion picture Pulp Fiction, thanks to a suggestion to Quentin Tarantino from his friend Boyd Rice.
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από https://www.youtube.com/watch?v=qHVNuAbFHAQ
Gino E Dorine
Missirlù (Μισιρλού)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Ιταλικοί Στίχοι: Sanjust
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(1967)
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από https://www.youtube.com/watch?v=nkE3KwPNdkE
s(pyramidos)
Misirlou
(Instrumental)
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από https://www.youtube.com/watch?v=Al-ld8YKU4A
pARTyzant & his son Miki
Misirlou
(Instrumental)
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Pulp Fiction theme guitar & pencils
Original transcription "Misirlou" - song composed by Michalis Patrino and his band in 1927 , later rearranged for solo guitar by Dick Dale but more known as theme of "PULP FICTION" . pARTyzant plays the guitar and his son Miki plays pencils ;))
Clip was bradcasted on CNN in CNN Newsroom by Don Lemon 23rd January 2011.
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από https://www.youtube.com/watch?v=rHtfq5tAxxk
Misirlou
(Instrumental)
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από https://www.youtube.com/watch?v=YzCv9rOfczo
Jam en Co
Medley Misirlou (Pulp Fiction, Taxi, Pump it)
(Instrumental)
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Jam en Co interprète Misirlou (musique utilisé dans Pulp Fiction, Taxi, et par les Black Eyed Peas) lors du concert Instant Metis en 1ère partie du groupe Naïas le samedi 10 décembre 2011.
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από https://www.youtube.com/watch?v=PZaj-0mWnXc
Stjepan Hauser & Luka Sulic
Μισιρλού
(Instrumental)
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(Theme from Pulp Fiction)
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από https://www.youtube.com/watch?v=aw2yB9P4cLE
International Folk Band
Misirlou
(Instrumental)
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Members of SIFDAC and the Roy Butler Dance School Dancing Misirlou to live music by Catherine Mandella's International Folk Band.
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από https://www.youtube.com/watch?v=deYX7-6YsqU
Nicolas
Misirlou
(Instrumental)
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(piano instrumental)
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από https://www.youtube.com/watch?v=mwQB8P6T5n4
Gabriel Chouraki
Misirlou
(Instrumental)
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The Romantic Klezmer
A crossover between Classical Music and original Klezmer from the Shtetl...
Concert pour l'Espace Francophone d'Ashdod
Accordion - Yanush Hurwitz
Violin I - Gili Rivkin
Violin II - Yam Joseph Cohen-Roth
Viola - Daniel Ratush
Cello - Eyal Heiman
Double-Bass - Ziv Grinberg
Arrangement - Udi Perlman
Video - Daniel Sanua
Montage - Ilan Chouraki
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από https://www.youtube.com/watch?v=Wd2sYZ0ozCA
Sylvie Mora
Misirlou
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Αγγλικοί Στίχοι : Milton Leeds - Fred Wise - S.K. Russell
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(Verve) 1959 - Great revisitation of the old classic greek tune, firstly performed by Michalis Patrinos in the 30s and adapted first by Nick Roubanis and then added english lyrics by Bob Russell Fred Wise and Milton Leeds.
Performed by the pop jazz singer Sylvie Mora, it has a cool oriental-exotica flavour that delight the popcorn crew for ages. It was released on Verve back in 1959.
Don't miss out the other side, the also great cover of "summertime"
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από https://www.youtube.com/watch?v=ofV9RuYRsuk
από https://www.youtube.com/watch?v=jpb0HHQkUOM
από https://www.youtube.com/watch?v=ewDVy_bTPi8
Earl Washington
Miserlou
(Instrumental)
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από https://www.youtube.com/watch?v=k0Li5CXX_WE
από https://www.youtube.com/watch?v=atcbNZQd7Ko
Irv Cottler
Miserlou
(Instrumental)
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LP "Around the World in Percussion"
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από https://www.youtube.com/watch?v=4LLjWrpu93M
Frankie Laine
Misirlou
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Αγγλικοί Στίχοι : Milton Leeds - Fred Wise - S.K. Russell
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συνοδευόμενος από την ορχήστρα του Johnny Williams.
Οι στίχοι είναι μισοί αγγλικοί και μισοί ισπανικοί.
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από https://www.youtube.com/watch?v=M5nldLdhR9c
Arthur Murray
Misirlou
(Instrumental)
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LP "Ultimate Dancing"
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από https://www.youtube.com/watch?v=RQtiVK-RcLg
Frances Faye
miserlou
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Αγγλικοί Στίχοι : Milton Leeds - Fred Wise - S.K. Russell
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άλμπουμ "Frenzy"
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από https://www.youtube.com/watch?v=FdbrhiHqQ38
Miss Teal Joy
Misirlou
Μουσική-Στίχοι: Νίκος Ρουμπάνης, ??? Στίχοι :
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From the album "Ted Steele Presents Miss Teal Joy" (1957).
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από https://www.youtube.com/watch?v=rS4k5pIZ5Yo
Don Baker
Miserlou
(Instrumental)
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From the album "Cocktail Hammond" (1959).
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από https://www.youtube.com/watch?v=0QJUzyFJe9I
από https://www.youtube.com/watch?v=VfyXNKBDQiA
JOHNNY & THE HURRICANES
MISERLOU
(Instrumental)
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LONDON 45-HLX 9536 [1962]
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7"
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από https://www.youtube.com/watch?v=3O2IamnqjRw
από https://www.youtube.com/watch?v=0lwP9HChXRo
από https://www.youtube.com/watch?v=o5so-msI7uI
The Lively Ones
Misirlou
(Instrumental)
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album: "Surf City" 1963
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rare japan release 7"
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1962
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από https://www.youtube.com/watch?v=mY1gsnwxI_o
The Emotionals
Misirlou
(Instrumental)
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1967 - Robin 45 rpm
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από https://www.youtube.com/watch?v=0ZOkd9ADKUg
Los Shains
Misirlou
(Instrumental)
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"A mediados de 1964, unos adolescentes se juntan para hacer música, sin pensar que estarían comenzando la historia de una de las bandas de rock más importantes en el Perú: Los Shain's. Con menos de 15 años de edad, Enrique "Pico" Ego Aguirre, Juan Luis Pereira y Raúl Pereira, prueban algunos bateristas hasta que ingresa al grupo Carlos Manuel Barreda, un niño de 12 años. Poco después entraría a la banda Miguel Arista en la voz. Durante 1965, los hermanos Pereira dejan la banda y "Pico" pasa del bajo Höfner a la guitarra Höfner. Hernán Chocano, amigo de barrio de "Pico", ingresa a la banda con una Eko en la guitarra rítmica. Alexei Kostrisky --primo de los hermanos Pereira- entra a la banda con un bajo Höfner de caja semi acústica. Ellos usaban dos amplificadores: uno Vox Goodman de 15" y 80 watts, y otro Vox Goodman de 18" y 100 watts, que habían comprado de un grupo de ingleses que tocaban en televisión con ellos.
A fines de 1965, Miguel Arista se va de la banda dejándola como instrumental, luego Carlos Manuel Barreda se junta con su hermano y forman el grupo Los Vip´s. Pico llama a su primo Pedro Pajuelo para que ocupe el puesto con su batería Roxy. Hasta ese momento habían grabado ya tres discos de 45rpm. Momentáneamente ingresa Dante Bernuy, con un teclado Hohner. Dante era vecino de barrio de Gerardo Manuel Rojas, y lo invitó a hacer una prueba con el grupo. Gerardo, un joven con buen registro vocal, presencia escénica y conocimiento musical ingresa al grupo. Poco después Dante se iría de la banda. Con Gerardo en la voz, graban su cuarto disco de 45rpm.
A comienzos de marzo de 1966, Pedro Pajuelo se va del grupo, dejando algunos temas grabados para lo que sería el primer álbum. Pico le avisa a Julio Chávez Cabello --amigo de los hermanos Pereira- que trae una batería Ludwig; éste a su vez viene con su amigo de colegio Lynn Stricklin, que toca un teclado Farfisa. Ya con una nueva formación, los músicos aprovechan para cambiar de instrumentos. Pico compra una Fender Stratocaster color celeste. Hernán pasa primero a una Harmony y luego a una Fender Mustang color rojo. Ambos usan unos amplificadores Fender Deluxe Reverb. Alexei pasa a un bajo Höfner. Esta nueva formación culminaría el primer álbum llamado: "El ritmo de Los Shain's", siendo el primero de rock grabado en IEMPSA y uno de los primeros grabados en el país".
(Parte de la detallada reseña escrita por Andrés Tapia y publicada en el CD Repsychled "El ritmo de Los Shain's")
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από https://www.youtube.com/watch?v=uFMHdgahf0w
Les Chaussettes Noires
Misirlou
(Instrumental)
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από https://www.youtube.com/watch?v=znT8f4F8lDQ
The Astronauts
Misirlou
(Instrumental)
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από https://www.youtube.com/watch?v=zxd_N9dixOE
The Lonely Ones
Miserlou
(Instrumental)
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από https://www.youtube.com/watch?v=R99WoZY86FU
από https://www.youtube.com/watch?v=XgjhOxBRT48
The Roemans
Miserlou
(Instrumental)
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1965
Tommy Roe's backing band in the mid 60's
The band was made of 5 members:
Lanny Langford (Lead Vocals),
Bertie Higgins (Drummer),
Bo Glover (Lead Guitar),
Ronnie Swartzkopf (Rythm Guitar),
Joe Pappalardo (Bass Guitar).
Joe Pappalardo was later replaced by Berry Oakley when Joe was drafted to the Vietnam war.
Lanny Langford was killed in a car crash in Tarpon Springs at the age of 24 in 1969.
Berry Oakley went on to join the band know as "The Allman Brothers Band".
Bertie Higgins put down his drum stick to play the guitar and wrote "Key Largo".
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The Roemans -- Don't / Miserlou - 1965
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από https://www.youtube.com/watch?v=O8sOFVItWsg
The Hot Doggers
Misirlou
(Instrumental)
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In 1963, Bruce Johnston collaborated with his friend Terry Melcher to record a mostly instrumental covers album credited to The Hot Doggers, a studio-only group. This track is from that album.
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από https://www.youtube.com/watch?v=gPkVGxHsQPw
The Challengers
Miserlou
(Instrumental)
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Taken for the album : "Surfbeat" (1963)
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από https://www.youtube.com/watch?v=m6-Po6jUW1w
Los Fenix
Miserlou
(Instrumental)
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(La Paz, 02/09/1967)
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από https://www.youtube.com/watch?v=44Lj8SnkkGg
the four amigos
misirlou
(Instrumental)
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από https://www.youtube.com/watch?v=BwmEI3C8awY
Ted Heath & Edmundo Ros Orhestras
Misirlou
(Instrumental)
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από https://www.youtube.com/watch?v=fist3gbPrYs
Red Honey
Misirlou
(Instrumental)
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at the LAB in Asheville, NC 11-8-12
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από https://www.youtube.com/watch?v=N87-3N1OS3w
Los Tiburones
Misirlou
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Γαλλικοί Στίχοι:
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paroles en marocain dialectal Fouad Achkir
inspiré de la version de Dario Moreno de1951 texte en français de Roubains
arrangement de Alain Fourtine
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από https://www.youtube.com/watch?v=aXjG3dWqVq0
Nick Perito
Misirlou / Quien Sera
(Instrumental)
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Track 13 from "Ultra-Lounge, Vol. 17: Bongo Land"
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ΣΥΝΕΧΕΙΑ στην ανάρτηση Νο 1452
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Το Α' ΜΕΡΟΣ στην Ανάρτηση Νο 1445
Το Β' ΜΕΡΟΣ στην Ανάρτηση Νο 1446
Το Γ' ΜΕΡΟΣ στην Ανάρτηση Νο 1447
Το Δ' ΜΕΡΟΣ στην Ανάρτηση Νο 1448
Το Ε' ΜΕΡΟΣ στην Ανάρτηση Νο 1449
Το ΣΤ' ΜΕΡΟΣ στην Ανάρτηση Νο 1450
Το Η' ΜΕΡΟΣ στην Ανάρτηση Νο 1452
Το Θ' ΜΕΡΟΣ στην Ανάρτηση Νο 1453
Το Ι' ΜΕΡΟΣ στην Ανάρτηση Νο 1454
Το ΙΑ' ΜΕΡΟΣ στην Ανάρτηση Νο 1455
Το ΙΒ' ΜΕΡΟΣ στην Ανάρτηση Νο 1456
Το ΙΓ' ΜΕΡΟΣ στην Ανάρτηση Νο 1457
Το ΙΔ' ΜΕΡΟΣ στην Ανάρτηση Νο 1458
Το ΙΕ' ΜΕΡΟΣ στην Ανάρτηση Νο 1459
Το ΙΣΤ' ΜΕΡΟΣ στην Ανάρτηση Νο 1460
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από https://www.youtube.com/watch?v=rRlx3Ux37AA
από https://www.youtube.com/watch?v=YY0LSoRuo2A
από https://www.youtube.com/watch?v=UK6u89b5fjg
από https://www.youtube.com/watch?v=-W6n1h94fRc
από https://www.youtube.com/watch?v=clOvVHuMR1I
The Beach Boys
Misirlou
Μουσική-Στίχοι: Νίκος Ρουμπάνης
(Instrumental)
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LP "Surfin' U.S.A", CAPITOL T 1890 (Mono) Surf Wax from March of 1963 (#2 US and #17 UK...the LP)
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από https://www.youtube.com/watch?v=IQ89uk55mXA
Clovis el-Hajj
amal (Misirlou)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Αραβικοί Στίχοι:
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In 1944, Lebanese musician Clovis el-Hajj performed "misirlou" and called it "Amal". This is the only known Arabic language version of the song to date.
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από https://www.youtube.com/watch?v=_mMxEVSfQXU
από https://www.youtube.com/watch?v=S8kx76PXcyA
από https://www.youtube.com/watch?v=kkiRE-J3u3A
Bob Kames
Misirlou
(Instrumental)
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From '' Mack The Knife / Misirlou ''
Label: King -- 45-5559
Format: Vinyl, 7''
Country: US
Released: 1961
Tracklist
A Mack The Knife
B Misirlou
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από https://www.youtube.com/watch?v=I5tUVx9_npM
The Cosmonauts
Misirlou
(Instrumental)
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(Surf Cover)
From '' C'mon Do The Laika! ''
Label: Dojo -- DOJLP 5010
Format: Vinyl, LP, Album
Country: Finland
Released: 1988
Tracklist
A1 C'Mon Do The Laika
A2 Out Of Limits
A3 Rampage
A4 Beat Girl
A5 Lonely Bull (Vibraphone - Jörgen Asplund)
A6 Fugitive
A7 James Bond Theme
A8 1'45
B1 Beat 88'
B2 Penetration
B3 Salt Mine Twist
B4 Misirlou
B5 Fear
B6 Zero Gravity Stomp (...And Meanwhile On Earth)
B7 Baja
B8 Moondawg
Recorded With Big Mac's Track Shack.
Publisher (c) 1988 Castle Finland Oy/Ltd.
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Misirlou (Greek: Μισιρλού) is a popular Greek song with popularity in five styles of music: Greek rebetiko, Middle-Eastern belly dancing, Jewish Klezmer, American surf rock and international orchestral easy listening.
The song was first performed by the Michalis Patrinos rebetiko band in Athens, Greece in 1927.
As with almost all early rebetika songs (a style that originated with the Greek refugees from Asia Minor in Turkey), the song's actual composer has never been identified, and its ownership rested with the band leader. The melody was most likely composed collaboratively by the band, as was often the case at the time; the initial lyrics were almost certainly written by Patrinos himself. Patrinos, who originally lived in Smyrna, named the song Mısırlı or Misirlou which means an Egyptian girl, as opposed to Egyptian Christians who were referred to as 'Aigyptioi' in Greek.
Initially, the song was composed as a Greek (Asia Minor) tsifteteli dance, in the rebetiko style of music, at a slower tempo and a different key than the orientalized performances that most are familiar with today. This was the style of the first known recording by Michalis Patrinos in Greece, circa 1930 (which was circulated in the United States by Titos Dimitriadis' Orthophonic label); a second recording was made by Patrinos in New York, in 1931.
In 1941, Nick Roubanis, a Greek-American music instructor, released a jazz instrumental arrangement of the song, crediting himself as the composer. Since his claim was never legally challenged, he is still officially credited as the composer today worldwide, except in Greece where credit is variably given to either Roubanis or Patrinos. Subsequently S. Russell, N. Wise, and M. Leeds wrote English lyrics to the song. Roubanis is also credited with fine-tuning the key and the melody, giving it the oriental sound that it is associated with today. The song soon became an "exotica" standard among the light swing (lounge) bands of the day.
In 1944 maestro Clovis el-Hajj, an Arabic Lebanese musician, performed this song and called it "amal." This is the only Arabic version of this song.
In 1945, a Pittsburgh, Pennsylvania, women's musical organization asked Professor Brunhilde E. Dorsch to organize an international dance group at Duquesne University to honor America's World War II allies. She contacted Mercine Nesotas, who taught several Greek dances, including Syrtos Haniotikos (from Crete), which she called Kritikos, but for which they had no music. Because Pittsburgh's Greek-American community did not know Cretan music, Pat Mandros Kazalas, a music student, suggested the tune Misirlou, although slower, might fit the dance. The dance was first performed at a program to honor America's allies of World War II at Stephen Foster Memorial Hall in Pittsburgh on March 6, 1945. Thereafter, this new dance, which had been created by putting the Syrtos Kritikos to the slower Misirlou music, was known as "Misirlou" and spread among the Greek-American community, as well as among non-Greek U.S. folk-dance enthusiasts. The dance is also performed to instrumental versions of Never on Sunday by Manos Hadjidakis.
The song was rearranged as a solo instrumental guitar piece by Dick Dale in 1962. During a performance, Dale was bet by a young fan that he could not play a song on only one string of his guitar. Dale's father and uncles were Lebanese-American musicians, and Dale remembered seeing his uncle play "Misirlou" on one string of the oud. He vastly increased the song's tempo to make it into rock'n'roll. It was Dale's version that introduced "Misirlou" to a wider audience in the United States as "Miserlou."
The song's oriental melody has been so popular for so long that many people, from Morocco to Iraq, claim it to be a folk song from their own country. In fact, in the realm of Middle Eastern music, the song is a very simplistic one, since it is little more than going up and down the Hijaz Kar or double harmonic scale (E-F-G#-A-B-C-D#).
The Beach Boys recorded a Dale-inspired "Miserlou" for the 1963 album Surfin' USA, Hundreds of recordings have been made to date, by performers as diverse as Agent Orange and Connie Francis (1965).
The Trashmen also recorded their "Miserlou" version.
In 1994, Dale's version of "Miserlou" was used on the soundtrack of the motion picture Pulp Fiction, thanks to a suggestion to Quentin Tarantino from his friend Boyd Rice.
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από https://www.youtube.com/watch?v=qHVNuAbFHAQ
Gino E Dorine
Missirlù (Μισιρλού)
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Ιταλικοί Στίχοι: Sanjust
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(1967)
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από https://www.youtube.com/watch?v=nkE3KwPNdkE
s(pyramidos)
Misirlou
(Instrumental)
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από https://www.youtube.com/watch?v=Al-ld8YKU4A
pARTyzant & his son Miki
Misirlou
(Instrumental)
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Pulp Fiction theme guitar & pencils
Original transcription "Misirlou" - song composed by Michalis Patrino and his band in 1927 , later rearranged for solo guitar by Dick Dale but more known as theme of "PULP FICTION" . pARTyzant plays the guitar and his son Miki plays pencils ;))
Clip was bradcasted on CNN in CNN Newsroom by Don Lemon 23rd January 2011.
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από https://www.youtube.com/watch?v=rHtfq5tAxxk
Misirlou
(Instrumental)
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από https://www.youtube.com/watch?v=YzCv9rOfczo
Jam en Co
Medley Misirlou (Pulp Fiction, Taxi, Pump it)
(Instrumental)
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Jam en Co interprète Misirlou (musique utilisé dans Pulp Fiction, Taxi, et par les Black Eyed Peas) lors du concert Instant Metis en 1ère partie du groupe Naïas le samedi 10 décembre 2011.
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από https://www.youtube.com/watch?v=PZaj-0mWnXc
Stjepan Hauser & Luka Sulic
Μισιρλού
(Instrumental)
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(Theme from Pulp Fiction)
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από https://www.youtube.com/watch?v=aw2yB9P4cLE
International Folk Band
Misirlou
(Instrumental)
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Members of SIFDAC and the Roy Butler Dance School Dancing Misirlou to live music by Catherine Mandella's International Folk Band.
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από https://www.youtube.com/watch?v=deYX7-6YsqU
Nicolas
Misirlou
(Instrumental)
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(piano instrumental)
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από https://www.youtube.com/watch?v=mwQB8P6T5n4
Gabriel Chouraki
Misirlou
(Instrumental)
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The Romantic Klezmer
A crossover between Classical Music and original Klezmer from the Shtetl...
Concert pour l'Espace Francophone d'Ashdod
Accordion - Yanush Hurwitz
Violin I - Gili Rivkin
Violin II - Yam Joseph Cohen-Roth
Viola - Daniel Ratush
Cello - Eyal Heiman
Double-Bass - Ziv Grinberg
Arrangement - Udi Perlman
Video - Daniel Sanua
Montage - Ilan Chouraki
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από https://www.youtube.com/watch?v=Wd2sYZ0ozCA
Sylvie Mora
Misirlou
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Αγγλικοί Στίχοι : Milton Leeds - Fred Wise - S.K. Russell
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(Verve) 1959 - Great revisitation of the old classic greek tune, firstly performed by Michalis Patrinos in the 30s and adapted first by Nick Roubanis and then added english lyrics by Bob Russell Fred Wise and Milton Leeds.
Performed by the pop jazz singer Sylvie Mora, it has a cool oriental-exotica flavour that delight the popcorn crew for ages. It was released on Verve back in 1959.
Don't miss out the other side, the also great cover of "summertime"
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από https://www.youtube.com/watch?v=ofV9RuYRsuk
από https://www.youtube.com/watch?v=jpb0HHQkUOM
από https://www.youtube.com/watch?v=ewDVy_bTPi8
Earl Washington
Miserlou
(Instrumental)
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από https://www.youtube.com/watch?v=k0Li5CXX_WE
από https://www.youtube.com/watch?v=atcbNZQd7Ko
Irv Cottler
Miserlou
(Instrumental)
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LP "Around the World in Percussion"
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από https://www.youtube.com/watch?v=4LLjWrpu93M
Frankie Laine
Misirlou
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Αγγλικοί Στίχοι : Milton Leeds - Fred Wise - S.K. Russell
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συνοδευόμενος από την ορχήστρα του Johnny Williams.
Οι στίχοι είναι μισοί αγγλικοί και μισοί ισπανικοί.
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από https://www.youtube.com/watch?v=M5nldLdhR9c
Arthur Murray
Misirlou
(Instrumental)
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LP "Ultimate Dancing"
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από https://www.youtube.com/watch?v=RQtiVK-RcLg
Frances Faye
miserlou
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Αγγλικοί Στίχοι : Milton Leeds - Fred Wise - S.K. Russell
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άλμπουμ "Frenzy"
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από https://www.youtube.com/watch?v=FdbrhiHqQ38
Miss Teal Joy
Misirlou
Μουσική-Στίχοι: Νίκος Ρουμπάνης, ??? Στίχοι :
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From the album "Ted Steele Presents Miss Teal Joy" (1957).
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από https://www.youtube.com/watch?v=rS4k5pIZ5Yo
Don Baker
Miserlou
(Instrumental)
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From the album "Cocktail Hammond" (1959).
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από https://www.youtube.com/watch?v=0QJUzyFJe9I
από https://www.youtube.com/watch?v=VfyXNKBDQiA
JOHNNY & THE HURRICANES
MISERLOU
(Instrumental)
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LONDON 45-HLX 9536 [1962]
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7"
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από https://www.youtube.com/watch?v=3O2IamnqjRw
από https://www.youtube.com/watch?v=0lwP9HChXRo
από https://www.youtube.com/watch?v=o5so-msI7uI
The Lively Ones
Misirlou
(Instrumental)
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album: "Surf City" 1963
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rare japan release 7"
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1962
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από https://www.youtube.com/watch?v=mY1gsnwxI_o
The Emotionals
Misirlou
(Instrumental)
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1967 - Robin 45 rpm
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από https://www.youtube.com/watch?v=0ZOkd9ADKUg
Los Shains
Misirlou
(Instrumental)
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"A mediados de 1964, unos adolescentes se juntan para hacer música, sin pensar que estarían comenzando la historia de una de las bandas de rock más importantes en el Perú: Los Shain's. Con menos de 15 años de edad, Enrique "Pico" Ego Aguirre, Juan Luis Pereira y Raúl Pereira, prueban algunos bateristas hasta que ingresa al grupo Carlos Manuel Barreda, un niño de 12 años. Poco después entraría a la banda Miguel Arista en la voz. Durante 1965, los hermanos Pereira dejan la banda y "Pico" pasa del bajo Höfner a la guitarra Höfner. Hernán Chocano, amigo de barrio de "Pico", ingresa a la banda con una Eko en la guitarra rítmica. Alexei Kostrisky --primo de los hermanos Pereira- entra a la banda con un bajo Höfner de caja semi acústica. Ellos usaban dos amplificadores: uno Vox Goodman de 15" y 80 watts, y otro Vox Goodman de 18" y 100 watts, que habían comprado de un grupo de ingleses que tocaban en televisión con ellos.
A fines de 1965, Miguel Arista se va de la banda dejándola como instrumental, luego Carlos Manuel Barreda se junta con su hermano y forman el grupo Los Vip´s. Pico llama a su primo Pedro Pajuelo para que ocupe el puesto con su batería Roxy. Hasta ese momento habían grabado ya tres discos de 45rpm. Momentáneamente ingresa Dante Bernuy, con un teclado Hohner. Dante era vecino de barrio de Gerardo Manuel Rojas, y lo invitó a hacer una prueba con el grupo. Gerardo, un joven con buen registro vocal, presencia escénica y conocimiento musical ingresa al grupo. Poco después Dante se iría de la banda. Con Gerardo en la voz, graban su cuarto disco de 45rpm.
A comienzos de marzo de 1966, Pedro Pajuelo se va del grupo, dejando algunos temas grabados para lo que sería el primer álbum. Pico le avisa a Julio Chávez Cabello --amigo de los hermanos Pereira- que trae una batería Ludwig; éste a su vez viene con su amigo de colegio Lynn Stricklin, que toca un teclado Farfisa. Ya con una nueva formación, los músicos aprovechan para cambiar de instrumentos. Pico compra una Fender Stratocaster color celeste. Hernán pasa primero a una Harmony y luego a una Fender Mustang color rojo. Ambos usan unos amplificadores Fender Deluxe Reverb. Alexei pasa a un bajo Höfner. Esta nueva formación culminaría el primer álbum llamado: "El ritmo de Los Shain's", siendo el primero de rock grabado en IEMPSA y uno de los primeros grabados en el país".
(Parte de la detallada reseña escrita por Andrés Tapia y publicada en el CD Repsychled "El ritmo de Los Shain's")
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από https://www.youtube.com/watch?v=uFMHdgahf0w
Les Chaussettes Noires
Misirlou
(Instrumental)
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από https://www.youtube.com/watch?v=znT8f4F8lDQ
The Astronauts
Misirlou
(Instrumental)
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από https://www.youtube.com/watch?v=zxd_N9dixOE
The Lonely Ones
Miserlou
(Instrumental)
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Some
details of this rare recording. The band was a trio (no bass player)
from the South Bay area of LA County. The intro is by an evangelist who
was known as 'Stub'. He ran a watering hole called 'Stub's Pub' out of
the Hermosa Beach Biltomore Hotel. The Lonely Ones provided free live
instrumental surf music for teenagers with sandy feet, wearing baithing
suits wet from the ocean (myself among them). Stub preached between
sets, while most of the audience left to soak in more sun, sand, &
surf.
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από https://www.youtube.com/watch?v=R99WoZY86FU
από https://www.youtube.com/watch?v=XgjhOxBRT48
The Roemans
Miserlou
(Instrumental)
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1965
Tommy Roe's backing band in the mid 60's
The band was made of 5 members:
Lanny Langford (Lead Vocals),
Bertie Higgins (Drummer),
Bo Glover (Lead Guitar),
Ronnie Swartzkopf (Rythm Guitar),
Joe Pappalardo (Bass Guitar).
Joe Pappalardo was later replaced by Berry Oakley when Joe was drafted to the Vietnam war.
Lanny Langford was killed in a car crash in Tarpon Springs at the age of 24 in 1969.
Berry Oakley went on to join the band know as "The Allman Brothers Band".
Bertie Higgins put down his drum stick to play the guitar and wrote "Key Largo".
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The Roemans -- Don't / Miserlou - 1965
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από https://www.youtube.com/watch?v=O8sOFVItWsg
The Hot Doggers
Misirlou
(Instrumental)
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In 1963, Bruce Johnston collaborated with his friend Terry Melcher to record a mostly instrumental covers album credited to The Hot Doggers, a studio-only group. This track is from that album.
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από https://www.youtube.com/watch?v=gPkVGxHsQPw
The Challengers
Miserlou
(Instrumental)
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Taken for the album : "Surfbeat" (1963)
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από https://www.youtube.com/watch?v=m6-Po6jUW1w
Los Fenix
Miserlou
(Instrumental)
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(La Paz, 02/09/1967)
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από https://www.youtube.com/watch?v=44Lj8SnkkGg
the four amigos
misirlou
(Instrumental)
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από https://www.youtube.com/watch?v=BwmEI3C8awY
Ted Heath & Edmundo Ros Orhestras
Misirlou
(Instrumental)
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Las Orquestas de Ted Heath y Edmundo Ros juntas interpretan:
"Misirlou" de (Roubanis, Pina, Wise, Leeds, Russell)
Del disco original de vinilo de Ted Heath y Edmundo Ros titulado Heath contra Ros, editado en 1964 por el sello Decca
De esta importante gravación se publicó tambien un segundo volumen titulado: Roung 2.
Para esta gravacion que fue realizada en los estudios Decca se utilizaron muchos microfonos y muchos canales de gravación, habia un microfono para cada instrumento de musica y el famoso mezclador de muchos canales de gravación
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The orchestras of Ted Heath and Edmundo Ros interpreted together:
"Misirlou" from (Roubanis, Pina, Wise, Leeds, Russell)
From the album original vinyl Ted Heath and Edmundo Ros Ros entitled Heath against, published in 1964 by Decca
This important taxation also published a second volume titled Roung 2.
For this taxation which was made in the Decca studios were used many microphones and many channels of taxation, had a microphone for each instrument of music and many famous mixer channels taxation
--------------------------------------------"Misirlou" de (Roubanis, Pina, Wise, Leeds, Russell)
Del disco original de vinilo de Ted Heath y Edmundo Ros titulado Heath contra Ros, editado en 1964 por el sello Decca
De esta importante gravación se publicó tambien un segundo volumen titulado: Roung 2.
Para esta gravacion que fue realizada en los estudios Decca se utilizaron muchos microfonos y muchos canales de gravación, habia un microfono para cada instrumento de musica y el famoso mezclador de muchos canales de gravación
========================================
The orchestras of Ted Heath and Edmundo Ros interpreted together:
"Misirlou" from (Roubanis, Pina, Wise, Leeds, Russell)
From the album original vinyl Ted Heath and Edmundo Ros Ros entitled Heath against, published in 1964 by Decca
This important taxation also published a second volume titled Roung 2.
For this taxation which was made in the Decca studios were used many microphones and many channels of taxation, had a microphone for each instrument of music and many famous mixer channels taxation
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από https://www.youtube.com/watch?v=fist3gbPrYs
Red Honey
Misirlou
(Instrumental)
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at the LAB in Asheville, NC 11-8-12
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από https://www.youtube.com/watch?v=N87-3N1OS3w
Los Tiburones
Misirlou
Μουσική-Στίχοι: Νίκος Ρουμπάνης, Γαλλικοί Στίχοι:
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paroles en marocain dialectal Fouad Achkir
inspiré de la version de Dario Moreno de1951 texte en français de Roubains
arrangement de Alain Fourtine
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από https://www.youtube.com/watch?v=aXjG3dWqVq0
Nick Perito
Misirlou / Quien Sera
(Instrumental)
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Track 13 from "Ultra-Lounge, Vol. 17: Bongo Land"
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ΣΥΝΕΧΕΙΑ στην ανάρτηση Νο 1452
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