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ΛΗ' ΜΕΡΟΣ
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Το Α' ΜΕΡΟΣ στην Ανάρτηση Νο 1827
Το Β' ΜΕΡΟΣ στην Ανάρτηση Νο 1828
Το Γ' ΜΕΡΟΣ στην Ανάρτηση Νο 1829
Το Δ' ΜΕΡΟΣ στην Ανάρτηση Νο 1830
Το Ε' ΜΕΡΟΣ στην Ανάρτηση Νο 1831
Το ΣΤ' ΜΕΡΟΣ στην Ανάρτηση Νο 1832
Το Ζ' ΜΕΡΟΣ στην Ανάρτηση Νο 1833
Το Η' ΜΕΡΟΣ στην Ανάρτηση Νο 1834
Το Θ' ΜΕΡΟΣ στην Ανάρτηση Νο 1835
Το Ι' ΜΕΡΟΣ στην Ανάρτηση Νο 1836
Το ΙΑ' ΜΕΡΟΣ στην Ανάρτηση Νο 1837
Το ΙΒ' ΜΕΡΟΣ στην Ανάρτηση Νο 1838
Το ΙΓ' ΜΕΡΟΣ στην Ανάρτηση Νο 1839
Το ΙΔ' ΜΕΡΟΣ στην Ανάρτηση Νο 1840
Το ΙΕ' ΜΕΡΟΣ στην Ανάρτηση Νο 1841
Το ΙΣΤ' ΜΕΡΟΣ στην Ανάρτηση Νο 1842
Το ΙΖ' ΜΕΡΟΣ στην Ανάρτηση Νο 1843
Το ΙΗ' ΜΕΡΟΣ στην Ανάρτηση Νο 1844
Το ΙΘ' ΜΕΡΟΣ στην Ανάρτηση Νο 1845
Το Κ' ΜΕΡΟΣ στην Ανάρτηση Νο 1846
Το ΚΑ' ΜΕΡΟΣ στην Ανάρτηση Νο 1847
Το ΚΒ' ΜΕΡΟΣ στην Ανάρτηση Νο 1848
Το ΚΓ' ΜΕΡΟΣ στην Ανάρτηση Νο 1849
Το ΚΔ' ΜΕΡΟΣ στην Ανάρτηση Νο 1850
Το ΚΕ' ΜΕΡΟΣ στην Ανάρτηση Νο 1851
Το ΚΣΤ' ΜΕΡΟΣ στην Ανάρτηση Νο 1852
Το ΚZ' ΜΕΡΟΣ στην Ανάρτηση Νο 1853
Το ΚH' ΜΕΡΟΣ στην Ανάρτηση Νο 1854
Το ΚΘ' ΜΕΡΟΣ στην Ανάρτηση Νο 1855
Το Λ' ΜΕΡΟΣ στην Ανάρτηση Νο 1856
Το ΛΑ' ΜΕΡΟΣ στην Ανάρτηση Νο 1857
Το ΛΒ' ΜΕΡΟΣ στην Ανάρτηση Νο 1858
Το ΛΓ' ΜΕΡΟΣ στην Ανάρτηση Νο 1859
Το ΛΔ' ΜΕΡΟΣ στην Ανάρτηση Νο 1860
Το ΛΕ' ΜΕΡΟΣ στην Ανάρτηση Νο 1861
Το ΛΣΤ' ΜΕΡΟΣ στην Ανάρτηση Νο 1862
Το ΛΖ' ΜΕΡΟΣ στην Ανάρτηση Νο 1863
Το ΛΘ' ΜΕΡΟΣ στην Ανάρτηση Νο 1865
Το Μ' ΜΕΡΟΣ στην Ανάρτηση Νο 1866
Το ΜΑ' ΜΕΡΟΣ στην Ανάρτηση Νο 1867
Το ΜΒ' ΜΕΡΟΣ στην Ανάρτηση Νο 1868
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από https://www.youtube.com/watch?v=zxyc5ybqXSE
i Dik Dik
Sin Luz - Senza Luce
con su blanca palidez (A Whiter Shade Of Pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher, Ισπανικοί Στίχοι: Francisco Carreras --------------------------------------------
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Este es una edición del vídeo original de la canción Senza Luce (En Castellano) del grupo I Dik Dik, e incluye algunas fotos de nuestro hermoso pueblo Pradera Valle Colombia.
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Caminos en el cielo, misterios en el mar
Y las sombras del desvelo que me vienen a enseñar
Si piensas que se mecen con el viento no podrán
Y vibrando con el órgano preludio sin final..
CORO:
Entre mis sueños te veo, a mi lado otra vez
Y tu rostro tan sereno...con su blanca palidez
Estrellas que se apagan, palomas que se van
Pensamientos que me aliaban, diciendo aquel refrán
Que suena en mis oídos con la fuerza de aficiona
Y llorando con el órgano esta mi corazon
CORO:
Entre mis sueños te veo a mi lado otra vez..
Y tu rostro tan sereno..con su blanca palidez....
(2x)
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από https://www.youtube.com/watch?v=G-VnccnioAg
από https://www.youtube.com/watch?v=w3tsW3HqedE
από https://www.youtube.com/watch?v=xD_RSQA32lw
International Cover Collaboration
A Whiter Shade of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
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Len Audsley - Vocals - (USA)
Kevin Laurence - Piano - (USA)
Csaba Bedő - Guitar - (HUNGARY)
Dave Becher - Drums - (USA)
Ferenc Szücs (Egon) - Bass Guitar - (HUNGARY)
Mihály Tunkli (Misi) - Hammond Organ - (HUNGARY)
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We skipped the light fandango
turned cartwheels 'cross the floor
I was feeling kinda' seasick
the crowd called out for more
the room was humming harder
as the ceiling flew away
when we called out for another drink
the waiter brought a tray
and so it was that later
as a mirror told its tale
that her face at first just ghostly
turned a whiter shade of pale
She said: "There is no reason
and the truth is plain to see"
but I wandered through my playing cards
would not let her be
one of sixteen vestal virgins
who were leaving for the coast
and although my eyes were open
they might just as well 've been closed
and so it was that later
as the miller told his tale
that her face at first just ghostly
turned a whiter shade of pale..
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Len Audsley - Vocals - (USA)
Kevin Laurence - Piano - (USA)
Csaba Bedő - Guitar - (HUNGARY)
Dave Becher - Drums - (USA)
Ferenc Szücs (Egon) - Bass Guitar - (HUNGARY)
Mihály Tunkli (Misi) - Hammond Organ - (HUNGARY)
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Len Audsley - Vocals - (USA)
Kevin Laurence - Piano - (USA)
Csaba Bedő - Guitar - (HUNGARY)
Dave Becher - Drums - (USA)
Ferenc Szücs (Egon) - Bass Guitar - (HUNGARY)
Mihály Tunkli (Misi) - Hammond Organ - (HUNGARY)
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από https://www.youtube.com/watch?v=t4JhsdICFiE
από https://www.youtube.com/watch?v=DCgg36hJJCs
από https://www.youtube.com/watch?v=c50QkO-82Yw
Brian & Tony Gold
A WHITER SHADE OF PALE
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
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reggae
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We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
The waiter brought a tray
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale.
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from the album "Pure Lovers Vol. 45", (2002)
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Brian and Tony Gold (born Brian Thompson and Anthony Johnson) are a Jamaican dancehall duo, who teamed up in the mid 1980s to participate in Kingston talent shows. They were noted for having close and subtle harmonies. Billed as Red Dragon with Brian and Tony Gold they reached #2 in the UK Singles Chart in July 1994, with the song, "Compliments on Your Kiss"
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από https://www.youtube.com/watch?v=xkkAGoascOI
από https://www.youtube.com/watch?v=lwBWrOQB9o4
BARBRA ZINGER
A Whiter Shade of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
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We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
The waiter brought a tray
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale.
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από https://www.youtube.com/watch?v=YHC2fH0BJYo
από https://www.youtube.com/watch?v=I96TdGh3Cx0
MSSO
Munich Symphonic Sound Orchestra
A whiter Shade of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
(instrumental)
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άλμπουμ - "The Sensation of Sound - Pop goes Classic Vol. 3", (1989)
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(1989)
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από https://www.youtube.com/watch?v=RxG0N-TTq6Y
από https://www.youtube.com/watch?v=0XM8R5MSrEI
από https://www.youtube.com/watch?v=Jqt66wuKWRQ
Israel
Con su Blanca Palidez (A whiter shade of pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher, Ισπανικοί Στίχοι: Francisco Carreras
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Galas OT3.
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Caminos en el cielo, misterios en el mar
Y las sombras del desvelo que me vienen a enseñar
Si piensas que se mecen con el viento no podran
Y vibrando con el organo prelubio sin final..
Entre mis sueños te veo, a mi lado otra vez
Y tu rostro tan sereno...con su blanca palidez
Estrellas que se apagan, palomas que se van
Pensamientos que me aligaban, diciendo aquel refran
Que suena en mis oidos con la fuerza de aficcion
Y llorando con el organo esta mi corazon
Entre mis sueños te veo a mi lado otra vez..
Y tu rostro tan sereno..con su blanca palidez...
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Caminos en el cielo, misterios en el mar
Y las sombras del desvelo que me vienen a enseñar
Si piensas que se mecen con el viento no podrán
Y vibrando con el órgano preludio sin final..
CORO:
Entre mis sueños te veo, a mi lado otra vez
Y tu rostro tan sereno...con su blanca palidez
Estrellas que se apagan, palomas que se van
Pensamientos que me aliaban, diciendo aquel refrán
Que suena en mis oídos con la fuerza de aficiona
Y llorando con el órgano esta mi corazon
CORO:
Entre mis sueños te veo a mi lado otra vez..
Y tu rostro tan sereno..con su blanca palidez....
(2x)
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Gala 8
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από https://www.youtube.com/watch?v=QobyVuiVkF0
Pino Gioia
Senza Luce - Con su blanca palidez - A Whiter Shade of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
(instrumental)
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από https://www.youtube.com/watch?v=Qjg2qcuur-M
Los Kinin
Con su Blanca Palidez (A whiter shade of pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher, Ισπανικοί Στίχοι: Francisco Carreras
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Lo canta una de las chicas del grupo, Yusi Alonso.
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Caminos en el cielo, misterios en el mar
Y las sombras del desvelo que me vienen a enseñar
Si piensas que se mecen con el viento no podran
Y vibrando con el organo prelubio sin final..
Entre mis sueños te veo, a mi lado otra vez
Y tu rostro tan sereno...con su blanca palidez
Estrellas que se apagan, palomas que se van
Pensamientos que me aligaban, diciendo aquel refran
Que suena en mis oidos con la fuerza de aficcion
Y llorando con el organo esta mi corazon
Entre mis sueños te veo a mi lado otra vez..
Y tu rostro tan sereno..con su blanca palidez...
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από https://www.youtube.com/watch?v=sc4KcAdQhfY
από https://www.youtube.com/watch?v=1krc8Fm3J24
Doc. Faust
A Whiter Shade Of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
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From ''A Whiter Shade Of Pale '
Label: Casablanca Records -- 811 147-1
Format: Vinyl, 12", 45 RPM
Country: Italy
Released: 1983
Tracklist
A A Whiter Shade Of Pale
B A Whiter Shade Of Pale (Instrumental)
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"A Whiter Shade of Pale" is the debut song by the British band Procol Harum, released 12 May 1967.
The single reached number one in the UK Singles Chart on 8 June 1967, and stayed there for six weeks.
Without much promotion, it reached #5 on the US charts, as well.
It is one of the fewer than 30 all-time singles to have sold 10 million (or more) copies worldwide.
With its haunting Bach-flavoured instrumental melody, soulful vocals, and unusual lyrics—by the song's co-authors Gary Brooker, Keith Reid, and Matthew Fisher-- "A Whiter Shade of Pale" reached #1 in several countries when released in 1967.
In the years since, it has become an enduring classic.
It was the most played song in the last 75 years in public places in the UK (as of 2009), and the United Kingdom performing rights group Phonographic Performance Limited in 2004 recognised it as the most-played record by British broadcasting of the past 70 years.
Also in 2004, Rolling Stone placed "A Whiter Shade of Pale" #57 on its list of the 500 Greatest Songs of All Time.
More than 1000 recorded cover versions by other artists are known.
The song has been included in many music compilations over the decades and has also been used in the soundtracks of numerous films, including:
The Big Chill,
Purple Haze,
Breaking the Waves,
The Boat That Rocked
and notably in Martin Scorsese's segment of New York Stories.
Cover versions of the song have also been featured in many films, for example by King Curtis in Withnail and I and by Annie Lennox in The Net.
The original writing credits were for Brooker and Reid only.
On 30 July 2009, Matthew Fisher won co-writing credit for the music in a unanimous ruling from the Law Lords.
Recording and personnel
The song was performed and recorded at Olympic Studios in London, England with Gary Brooker providing the vocals and piano, Matthew Fisher on a Hammond M-102 organ, David Knights on bass and Ray Royer on guitar. Drums were by session drummer Bill Eyden.
A few days later, the song was re-recorded with the band's then newly-recruited drummer Bobby Harrison.
That version, though, was considered inferior and one of the original mono recordings was chosen for release.
Producer for the record was Denny Cordell and Keith Grant was the sound engineer.
The song was included on the original U.S. release of the Procol Harum album, but not on the UK version.
Composition
The Hammond organ line of "A Whiter Shade of Pale" was inspired by Johann Sebastian Bach's "Sleepers, Wake!" and "Air on the G String" but contrary to popular belief, the song is not a direct copy or paraphrase of any music by Bach, although it makes clear references to both pieces. This similarity is referred to in the 1982 play The Real Thing by Tom Stoppard and the 1991 film The Commitments. A yet closer melodic influence that is seldom cited can arguably[weasel words] be found in the organ choral prelude "O Mensch bewein dein' Sünde groß" (O Man, Lament Your Sin So Great), BWV 622, from Bach's Orgelbüchlein (Little Organ Book). The music also borrows ideas from "When a Man Loves a Woman" by Percy Sledge.
Lyrics
Reid got the title and the starting point for the song at a party. He overheard someone at the party saying to a woman, "You've turned a whiter shade of pale," and the phrase stuck in his mind.
The original lyrics had four verses, of which only two are heard on the original recording. The third verse has been heard in live performances by Procol Harum, and more seldom also the fourth.
The author of Procol Harum: beyond the pale, Claes Johansen, suggests that the song "deals in metaphorical form with a male/female relationship which after some negotiation ends in a sexual act."
This is supported by Tim de Lisle in Lives of the Great Songs, who remarks that the lyrics concern a drunken seduction, which is described through references to sex as a form of travel, usually nautical, using mythical and literary journeys.
Other observers have also commented that the lyrics concern a sexual relationship.
The phrase a whiter shade of pale has since gained widespread use in the English language, noticed by several dictionaries.
As such, the phrase is today often used in contexts independent of any consideration of the song.
It has also been heavily paraphrased, in forms like an Xer shade of Y--this to the extent that it has been recognised as a snowclone -- a type of cliché and phrasal template.
Reception
John Lennon was a great fan of the song and was known to have played it repeatedly in his Rolls Royce.
When it was released in England, Lennon (and friends in his circle) reportedly confused Brooker's soulful vocals with Steve Winwood, who had popularity at the time with The Spencer Davis Group.
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We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
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από https://www.youtube.com/watch?v=xO_c6-6gSec
από https://www.youtube.com/watch?v=yG1F5ZoRrJw
από https://www.youtube.com/watch?v=D51UB6tAwOY
από https://www.youtube.com/watch?v=XohN-dANxa8
από https://www.youtube.com/watch?v=E7uZKCB37b8
Donald Lautrec
Le jour du dernier jour (A whiter shade of pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher, Γαλλικοί Στίχοι:
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Jupiter 1967.
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Chanson de 1967
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album "Donald Lautrec - Toute Ma Carrière"
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1967
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από https://www.youtube.com/watch?v=PSr9olCmQCY
από https://www.youtube.com/watch?v=JZh8Vb6ns8c
Raymond Boisserie
Les orgues d' antan (A whiter shade of pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
(instrummental)
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« A Whiter Shade of Pale » chanson écrite par le groupe Procol Harum en 1967 a été reprise la même année par The Box Tops sur l'album The Letter/Neon Rainbow, par Giorgio Moroder et son Munich Machine en 1978 en version disco, puis par Annie Lennox dans l'album Medusa et par Black Label Society sur l'album Hangover Music Vol. IV. On la retrouve également enregistrée par Sarah Brightman et dans plusieurs albums de Bonnie Tyler. Elle est également reprise par David Lanz dans son album Cristofori's Dream. La chanteuse allemande Doro a également repris cette chanson sur son premier album solo Force majeure en 1989. Elle a aussi été reprise par Percy Sledge.
Lors de sa tournée consécutive à son second album, Peter Gabriel fera également une reprise punk de ce titre, à Boston en 1978. Il en parle sur son site 5 et l'on peut entendre cette version très décalée sur certains enregistrements non officiels.
La chanson a été adaptée en français en version "soul" par Alan Shelly en 1967. Face au rouleau compresseur de la version originale, cette adaptation est évidemment passée inaperçue. Elle a été reprise également par le chanteur québécois Donald Lautrec (Le Jour du dernier jour) dès 1967, puis pour Nicoletta en 1973 (Les orgues d'antan). Il en existe également des adaptations en allemand (Tränen im Gesicht), en italien par Dik Dik (Senza Luce), en japonais par Angela Aki (Blue Shadow), en suédois (Då är hon åter lika blek), en espagnol (Con Su Blanca Palidez), en portugais (Ao Meu Lado Outra Vez) et en finnois par Topmost (Merisairaat kasvot)
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sorti chez Trianon Pathé-Marconi
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από https://www.youtube.com/watch?v=eipgL7RDllA
από https://www.youtube.com/watch?v=Kn_Km68SLLg
ARTURO LABASTIDA
A WHITER SHADE OF PALE
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
(instrumental)
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SAXOFÓN
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EL SAX DE MÉXICO.
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από https://www.youtube.com/watch?v=R7idzG_hrPE
Angelica Parisi
A whiter shade of pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
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Saggio 10-06-2010
Centro Musicale Salernitano
Coriste: Angela D'Arminio ed io:Daniela De Mattia
Organo: Marco Parisi
Basso: Marco Parisi jr
Batteria: Gianpaolo Parisi
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We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
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από https://www.youtube.com/watch?v=9q-bzQs4RZQ
από https://www.youtube.com/watch?v=U0_uzvwbTvw
Pierre Belmonde
A Whiter Shade of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
(instrumental)
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Pan Flute
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από https://www.youtube.com/watch?v=_w1JlcuJh5Q
από https://www.youtube.com/watch?v=AZkeXNcPczA
από https://www.youtube.com/watch?v=tUA-KSsSw84
από https://www.youtube.com/watch?v=Z5VlLo5t2Fc
από https://www.youtube.com/watch?v=SBYY_aoW5D4
AGNALDO TIMÓTEO
ESSE AMOR QUE EU NÃO QUERIA
(A Whiter Shade of Pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher, Πορτογαλλικοί Στίχοι: ???
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Esse Amor Que Eu Não Queria
(1967)
Specializing in a repertory of romantic, old-fashioned, and quite kitschy songs, Agnaldo Timóteo became extremely popular with this simple formula and his vocal gifts, achieving prominence in the pantheon of Brazilian singers. Having albums released in Argentina (where he reached the hit parade), Mexico, the U.S.A., and England, he became so popular in Brazil that has been elected to political offices.
The son of a poor family, Agnaldo Timóteo worked hard during his childhood at diverse jobs, finally becoming a mechanic. In 1960, he moved to Rio and did all kinds of small jobs, including performing in a circus. After a break in TV (in producer/DJ Jair de Taumaturgo's Hoje é Dia de Rock), he recorded his first LP in 1965, Surge um Astro. His success was immediate, and from then on he recorded an album per year, performing throughout Brazil for packed houses. In 1968, he recorded "Meu Grito" (on Obrigado, Querida), a song written by Roberto Carlos/Erasmo Carlos which became his biggest hit, selling 600,000 copies. He also recorded and released the album Sung By Brazilian Internationally Famous Agnaldo Timóteo in Mexico and The Good Voice of Brazil in the U.S.A. and England.
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As horas de alegria
que marcavam minha vida
pararam de repente
e eu não pude evitar
no momento em que meus olhos
encontraram seu olhar
eu sempre evitava
encontrá-la em meu caminho
pois feliz eu me sentia
mesmo em plena solidão
mas chegou aquele dia
quando a vi na multidão
e fiquei apaixonado
sem ter forças pra fugir
desse amor
que eu
não queria reviver
pois com ele eu voltaria
a chorar
a sofrer
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από https://www.youtube.com/watch?v=hYJ5sJAAo54
από https://www.youtube.com/watch?v=_5sQAqOShCA
Patrice Fontaine
A Whiter Shade of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
(instrumental)
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flute de pan
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από https://www.youtube.com/watch?v=y4n8fNl3L_A
Rock in History
A Whiter Shade Of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
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We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
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από https://www.youtube.com/watch?v=Y6X653u5qrs
Linsley Ransom
A Whiter Shade Of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
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with revised lyrics meant to honor those we lost too soon to drug use. Includes video and pictures of Marilyn Monroe, Janis Joplin, and Judy Garland.
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από https://www.youtube.com/watch?v=Gn-7mwsXqCA
Italo Romeo
Senza Luce (A Whiter Shade Of Pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher, Ιταλικοί Στίχοι: Mogol (Giulio Rapetti)
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Han spento già la luce ..
Son rimasto solo io ..
e mi sento il mal di mare ..
Il bicchiere però è mio ..
cameriere lascia stare ..
Camminare io so .. !
L'aria fredda sai mi sveglierà ..
Oppure dormirò ..
Guardo lassù la notte ..
Quanto spazio intorno a me .. !
Sono solo nella strada ..
Oh no, no qualcuno c'è .. !
( .. insieme a te .. ! )
Non dire una parola .. !!
Ti darò quello che vuoi ..
Tu non le somigli molto ..
Non sei come lei .. !!
Però prendi la mia mano .. ♥
e cammina insieme a me il ..
Tuo viso adesso è bello ..
Tu sei bella come lei .. !
Guardo lassù la notte ..
Quanto spazio intorno a me .. !
Sono solo nella strada ..
Oh no, no qualcuno c'è ..
Insieme a te .. .. ❣
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από https://www.youtube.com/watch?v=TU5iHdceR4E
La Bottega dei Ricordi
Senza luce (A Whiter Shade Of Pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher, Ιταλικοί Στίχοι: Mogol (Giulio Rapetti)
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Han spento già la luce ..
Son rimasto solo io ..
e mi sento il mal di mare ..
Il bicchiere però è mio ..
cameriere lascia stare ..
Camminare io so .. !
L'aria fredda sai mi sveglierà ..
Oppure dormirò ..
Guardo lassù la notte ..
Quanto spazio intorno a me .. !
Sono solo nella strada ..
Oh no, no qualcuno c'è .. !
( .. insieme a te .. ! )
Non dire una parola .. !!
Ti darò quello che vuoi ..
Tu non le somigli molto ..
Non sei come lei .. !!
Però prendi la mia mano .. ♥
e cammina insieme a me il ..
Tuo viso adesso è bello ..
Tu sei bella come lei .. !
Guardo lassù la notte ..
Quanto spazio intorno a me .. !
Sono solo nella strada ..
Oh no, no qualcuno c'è ..
Insieme a te .. .. ❣
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από https://www.youtube.com/watch?v=N89dD9CV2xs
από https://www.youtube.com/watch?v=SkOjrBwp3wA
από https://www.youtube.com/watch?v=f9g34aEQppY
από https://www.youtube.com/watch?v=1CUlaW3Y9D4
από https://www.youtube.com/watch?v=CTa3iDxvjT8
από https://www.youtube.com/watch?v=l2bwMI2Z7ts
από https://www.youtube.com/watch?v=OJxcgUUC2qM
Engelbert Humperdinck & Renè Froger
A Whiter Shade of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
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--------------------------------------------
We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
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Live optreden van Engelbert en René samen met een cover van Procol Harum onder begeleiding van Het Metropole Orchestra o.l.v. Arjan Tien. Speciaal voor de vele fans from overseas. Gespot op 30 december 2010.
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We skipped the light fandango
And turned cartwheels across the floor
I was feeling kind of seasick
The crowd called out for more
The room was humming harder
As the ceiling flew away
Whe we called out for another drink
The waiter brought a tray
And so it was that later
As the miller told his tale
That her face at first just ghostly
Turned a whiter shade of pale
She said there is no reason
And the truth is plain to see
But I wandered through my playing cards
Would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
At the moment my eyes were open
They might just as well have been closed
And so it was that later
As the miller told his tale
That her face at first just ghostly
Turned a whiter shade of pale
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karaoke
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από https://www.youtube.com/watch?v=JaSaVKrS6sM
Senza Luce (A Whiter Shade Of Pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher, Ιταλικοί Στίχοι: Mogol (Giulio Rapetti)
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Han spento già la luce
son rimasto solo io
e mi sento il mal di mare
il bicchiere però è mio
cameriere lascia stare
camminare io so
l'aria fredda sai mi sveglierà
oppure dormirò
Guardo lassù
la notte
quanto spazio intorno a me
sono solo nella strada
o no no qualcuno c'è (insieme a te)
Non dire una parola
ti darò quello che vuoi
tu non le somigli molto
non sei come lei
però prendi la mia mano
e cammina insieme a me il
tuo viso adesso è bello
tu sei bella come lei
Guardo lassù
la notte
quanto spazio intorno a me
sono solo nella strada
o no no qualcuno c'è (insieme a te)
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από https://www.youtube.com/watch?v=cUJONQXtzdM
Giorgio Murano e genesi umana
senza luce (A Whiter Shade Of Pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher, Ιταλικοί Στίχοι: Mogol (Giulio Rapetti)
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Han spento già la luce
son rimasto solo io
e mi sento il mal di mare
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ΣΥΝΕΧΕΙΑ στην ανάρτηση Νο 1865
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ΛΗ' ΜΕΡΟΣ
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Το Α' ΜΕΡΟΣ στην Ανάρτηση Νο 1827
Το Β' ΜΕΡΟΣ στην Ανάρτηση Νο 1828
Το Γ' ΜΕΡΟΣ στην Ανάρτηση Νο 1829
Το Δ' ΜΕΡΟΣ στην Ανάρτηση Νο 1830
Το Ε' ΜΕΡΟΣ στην Ανάρτηση Νο 1831
Το ΣΤ' ΜΕΡΟΣ στην Ανάρτηση Νο 1832
Το Ζ' ΜΕΡΟΣ στην Ανάρτηση Νο 1833
Το Η' ΜΕΡΟΣ στην Ανάρτηση Νο 1834
Το Θ' ΜΕΡΟΣ στην Ανάρτηση Νο 1835
Το Ι' ΜΕΡΟΣ στην Ανάρτηση Νο 1836
Το ΙΑ' ΜΕΡΟΣ στην Ανάρτηση Νο 1837
Το ΙΒ' ΜΕΡΟΣ στην Ανάρτηση Νο 1838
Το ΙΓ' ΜΕΡΟΣ στην Ανάρτηση Νο 1839
Το ΙΔ' ΜΕΡΟΣ στην Ανάρτηση Νο 1840
Το ΙΕ' ΜΕΡΟΣ στην Ανάρτηση Νο 1841
Το ΙΣΤ' ΜΕΡΟΣ στην Ανάρτηση Νο 1842
Το ΙΖ' ΜΕΡΟΣ στην Ανάρτηση Νο 1843
Το ΙΗ' ΜΕΡΟΣ στην Ανάρτηση Νο 1844
Το ΙΘ' ΜΕΡΟΣ στην Ανάρτηση Νο 1845
Το Κ' ΜΕΡΟΣ στην Ανάρτηση Νο 1846
Το ΚΑ' ΜΕΡΟΣ στην Ανάρτηση Νο 1847
Το ΚΒ' ΜΕΡΟΣ στην Ανάρτηση Νο 1848
Το ΚΓ' ΜΕΡΟΣ στην Ανάρτηση Νο 1849
Το ΚΔ' ΜΕΡΟΣ στην Ανάρτηση Νο 1850
Το ΚΕ' ΜΕΡΟΣ στην Ανάρτηση Νο 1851
Το ΚΣΤ' ΜΕΡΟΣ στην Ανάρτηση Νο 1852
Το ΚZ' ΜΕΡΟΣ στην Ανάρτηση Νο 1853
Το ΚH' ΜΕΡΟΣ στην Ανάρτηση Νο 1854
Το ΚΘ' ΜΕΡΟΣ στην Ανάρτηση Νο 1855
Το Λ' ΜΕΡΟΣ στην Ανάρτηση Νο 1856
Το ΛΑ' ΜΕΡΟΣ στην Ανάρτηση Νο 1857
Το ΛΒ' ΜΕΡΟΣ στην Ανάρτηση Νο 1858
Το ΛΓ' ΜΕΡΟΣ στην Ανάρτηση Νο 1859
Το ΛΔ' ΜΕΡΟΣ στην Ανάρτηση Νο 1860
Το ΛΕ' ΜΕΡΟΣ στην Ανάρτηση Νο 1861
Το ΛΣΤ' ΜΕΡΟΣ στην Ανάρτηση Νο 1862
Το ΛΖ' ΜΕΡΟΣ στην Ανάρτηση Νο 1863
Το ΛΘ' ΜΕΡΟΣ στην Ανάρτηση Νο 1865
Το Μ' ΜΕΡΟΣ στην Ανάρτηση Νο 1866
Το ΜΑ' ΜΕΡΟΣ στην Ανάρτηση Νο 1867
Το ΜΒ' ΜΕΡΟΣ στην Ανάρτηση Νο 1868
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από https://www.youtube.com/watch?v=zxyc5ybqXSE
i Dik Dik
Sin Luz - Senza Luce
con su blanca palidez (A Whiter Shade Of Pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher, Ισπανικοί Στίχοι: Francisco Carreras --------------------------------------------
Este es una edición del vídeo original de la canción Senza Luce (En Castellano) del grupo I Dik Dik, e incluye algunas fotos de nuestro hermoso pueblo Pradera Valle Colombia.
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Caminos en el cielo, misterios en el mar
Y las sombras del desvelo que me vienen a enseñar
Si piensas que se mecen con el viento no podrán
Y vibrando con el órgano preludio sin final..
CORO:
Entre mis sueños te veo, a mi lado otra vez
Y tu rostro tan sereno...con su blanca palidez
Estrellas que se apagan, palomas que se van
Pensamientos que me aliaban, diciendo aquel refrán
Que suena en mis oídos con la fuerza de aficiona
Y llorando con el órgano esta mi corazon
CORO:
Entre mis sueños te veo a mi lado otra vez..
Y tu rostro tan sereno..con su blanca palidez....
(2x)
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από https://www.youtube.com/watch?v=G-VnccnioAg
από https://www.youtube.com/watch?v=w3tsW3HqedE
από https://www.youtube.com/watch?v=xD_RSQA32lw
International Cover Collaboration
A Whiter Shade of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
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Len Audsley - Vocals - (USA)
Kevin Laurence - Piano - (USA)
Csaba Bedő - Guitar - (HUNGARY)
Dave Becher - Drums - (USA)
Ferenc Szücs (Egon) - Bass Guitar - (HUNGARY)
Mihály Tunkli (Misi) - Hammond Organ - (HUNGARY)
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We skipped the light fandango
turned cartwheels 'cross the floor
I was feeling kinda' seasick
the crowd called out for more
the room was humming harder
as the ceiling flew away
when we called out for another drink
the waiter brought a tray
and so it was that later
as a mirror told its tale
that her face at first just ghostly
turned a whiter shade of pale
She said: "There is no reason
and the truth is plain to see"
but I wandered through my playing cards
would not let her be
one of sixteen vestal virgins
who were leaving for the coast
and although my eyes were open
they might just as well 've been closed
and so it was that later
as the miller told his tale
that her face at first just ghostly
turned a whiter shade of pale..
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Len Audsley - Vocals - (USA)
Kevin Laurence - Piano - (USA)
Csaba Bedő - Guitar - (HUNGARY)
Dave Becher - Drums - (USA)
Ferenc Szücs (Egon) - Bass Guitar - (HUNGARY)
Mihály Tunkli (Misi) - Hammond Organ - (HUNGARY)
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Len Audsley - Vocals - (USA)
Kevin Laurence - Piano - (USA)
Csaba Bedő - Guitar - (HUNGARY)
Dave Becher - Drums - (USA)
Ferenc Szücs (Egon) - Bass Guitar - (HUNGARY)
Mihály Tunkli (Misi) - Hammond Organ - (HUNGARY)
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από https://www.youtube.com/watch?v=t4JhsdICFiE
από https://www.youtube.com/watch?v=DCgg36hJJCs
από https://www.youtube.com/watch?v=c50QkO-82Yw
Brian & Tony Gold
A WHITER SHADE OF PALE
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
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reggae
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We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
The waiter brought a tray
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale.
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from the album "Pure Lovers Vol. 45", (2002)
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Brian and Tony Gold (born Brian Thompson and Anthony Johnson) are a Jamaican dancehall duo, who teamed up in the mid 1980s to participate in Kingston talent shows. They were noted for having close and subtle harmonies. Billed as Red Dragon with Brian and Tony Gold they reached #2 in the UK Singles Chart in July 1994, with the song, "Compliments on Your Kiss"
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από https://www.youtube.com/watch?v=xkkAGoascOI
από https://www.youtube.com/watch?v=lwBWrOQB9o4
BARBRA ZINGER
A Whiter Shade of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
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We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
The waiter brought a tray
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale.
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από https://www.youtube.com/watch?v=YHC2fH0BJYo
από https://www.youtube.com/watch?v=I96TdGh3Cx0
MSSO
Munich Symphonic Sound Orchestra
A whiter Shade of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
(instrumental)
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άλμπουμ - "The Sensation of Sound - Pop goes Classic Vol. 3", (1989)
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(1989)
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από https://www.youtube.com/watch?v=RxG0N-TTq6Y
από https://www.youtube.com/watch?v=0XM8R5MSrEI
από https://www.youtube.com/watch?v=Jqt66wuKWRQ
Israel
Con su Blanca Palidez (A whiter shade of pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher, Ισπανικοί Στίχοι: Francisco Carreras
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Galas OT3.
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Caminos en el cielo, misterios en el mar
Y las sombras del desvelo que me vienen a enseñar
Si piensas que se mecen con el viento no podran
Y vibrando con el organo prelubio sin final..
Entre mis sueños te veo, a mi lado otra vez
Y tu rostro tan sereno...con su blanca palidez
Estrellas que se apagan, palomas que se van
Pensamientos que me aligaban, diciendo aquel refran
Que suena en mis oidos con la fuerza de aficcion
Y llorando con el organo esta mi corazon
Entre mis sueños te veo a mi lado otra vez..
Y tu rostro tan sereno..con su blanca palidez...
--------------------------------------------
Caminos en el cielo, misterios en el mar
Y las sombras del desvelo que me vienen a enseñar
Si piensas que se mecen con el viento no podrán
Y vibrando con el órgano preludio sin final..
CORO:
Entre mis sueños te veo, a mi lado otra vez
Y tu rostro tan sereno...con su blanca palidez
Estrellas que se apagan, palomas que se van
Pensamientos que me aliaban, diciendo aquel refrán
Que suena en mis oídos con la fuerza de aficiona
Y llorando con el órgano esta mi corazon
CORO:
Entre mis sueños te veo a mi lado otra vez..
Y tu rostro tan sereno..con su blanca palidez....
(2x)
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Gala 8
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από https://www.youtube.com/watch?v=QobyVuiVkF0
Pino Gioia
Senza Luce - Con su blanca palidez - A Whiter Shade of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
(instrumental)
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από https://www.youtube.com/watch?v=Qjg2qcuur-M
Los Kinin
Con su Blanca Palidez (A whiter shade of pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher, Ισπανικοί Στίχοι: Francisco Carreras
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Lo canta una de las chicas del grupo, Yusi Alonso.
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Caminos en el cielo, misterios en el mar
Y las sombras del desvelo que me vienen a enseñar
Si piensas que se mecen con el viento no podran
Y vibrando con el organo prelubio sin final..
Entre mis sueños te veo, a mi lado otra vez
Y tu rostro tan sereno...con su blanca palidez
Estrellas que se apagan, palomas que se van
Pensamientos que me aligaban, diciendo aquel refran
Que suena en mis oidos con la fuerza de aficcion
Y llorando con el organo esta mi corazon
Entre mis sueños te veo a mi lado otra vez..
Y tu rostro tan sereno..con su blanca palidez...
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από https://www.youtube.com/watch?v=sc4KcAdQhfY
από https://www.youtube.com/watch?v=1krc8Fm3J24
Doc. Faust
A Whiter Shade Of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
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From ''A Whiter Shade Of Pale '
Label: Casablanca Records -- 811 147-1
Format: Vinyl, 12", 45 RPM
Country: Italy
Released: 1983
Tracklist
A A Whiter Shade Of Pale
B A Whiter Shade Of Pale (Instrumental)
------------------------
"A Whiter Shade of Pale" is the debut song by the British band Procol Harum, released 12 May 1967.
The single reached number one in the UK Singles Chart on 8 June 1967, and stayed there for six weeks.
Without much promotion, it reached #5 on the US charts, as well.
It is one of the fewer than 30 all-time singles to have sold 10 million (or more) copies worldwide.
With its haunting Bach-flavoured instrumental melody, soulful vocals, and unusual lyrics—by the song's co-authors Gary Brooker, Keith Reid, and Matthew Fisher-- "A Whiter Shade of Pale" reached #1 in several countries when released in 1967.
In the years since, it has become an enduring classic.
It was the most played song in the last 75 years in public places in the UK (as of 2009), and the United Kingdom performing rights group Phonographic Performance Limited in 2004 recognised it as the most-played record by British broadcasting of the past 70 years.
Also in 2004, Rolling Stone placed "A Whiter Shade of Pale" #57 on its list of the 500 Greatest Songs of All Time.
More than 1000 recorded cover versions by other artists are known.
The song has been included in many music compilations over the decades and has also been used in the soundtracks of numerous films, including:
The Big Chill,
Purple Haze,
Breaking the Waves,
The Boat That Rocked
and notably in Martin Scorsese's segment of New York Stories.
Cover versions of the song have also been featured in many films, for example by King Curtis in Withnail and I and by Annie Lennox in The Net.
The original writing credits were for Brooker and Reid only.
On 30 July 2009, Matthew Fisher won co-writing credit for the music in a unanimous ruling from the Law Lords.
Recording and personnel
The song was performed and recorded at Olympic Studios in London, England with Gary Brooker providing the vocals and piano, Matthew Fisher on a Hammond M-102 organ, David Knights on bass and Ray Royer on guitar. Drums were by session drummer Bill Eyden.
A few days later, the song was re-recorded with the band's then newly-recruited drummer Bobby Harrison.
That version, though, was considered inferior and one of the original mono recordings was chosen for release.
Producer for the record was Denny Cordell and Keith Grant was the sound engineer.
The song was included on the original U.S. release of the Procol Harum album, but not on the UK version.
Composition
The Hammond organ line of "A Whiter Shade of Pale" was inspired by Johann Sebastian Bach's "Sleepers, Wake!" and "Air on the G String" but contrary to popular belief, the song is not a direct copy or paraphrase of any music by Bach, although it makes clear references to both pieces. This similarity is referred to in the 1982 play The Real Thing by Tom Stoppard and the 1991 film The Commitments. A yet closer melodic influence that is seldom cited can arguably[weasel words] be found in the organ choral prelude "O Mensch bewein dein' Sünde groß" (O Man, Lament Your Sin So Great), BWV 622, from Bach's Orgelbüchlein (Little Organ Book). The music also borrows ideas from "When a Man Loves a Woman" by Percy Sledge.
Lyrics
Reid got the title and the starting point for the song at a party. He overheard someone at the party saying to a woman, "You've turned a whiter shade of pale," and the phrase stuck in his mind.
The original lyrics had four verses, of which only two are heard on the original recording. The third verse has been heard in live performances by Procol Harum, and more seldom also the fourth.
The author of Procol Harum: beyond the pale, Claes Johansen, suggests that the song "deals in metaphorical form with a male/female relationship which after some negotiation ends in a sexual act."
This is supported by Tim de Lisle in Lives of the Great Songs, who remarks that the lyrics concern a drunken seduction, which is described through references to sex as a form of travel, usually nautical, using mythical and literary journeys.
Other observers have also commented that the lyrics concern a sexual relationship.
The phrase a whiter shade of pale has since gained widespread use in the English language, noticed by several dictionaries.
As such, the phrase is today often used in contexts independent of any consideration of the song.
It has also been heavily paraphrased, in forms like an Xer shade of Y--this to the extent that it has been recognised as a snowclone -- a type of cliché and phrasal template.
Reception
John Lennon was a great fan of the song and was known to have played it repeatedly in his Rolls Royce.
When it was released in England, Lennon (and friends in his circle) reportedly confused Brooker's soulful vocals with Steve Winwood, who had popularity at the time with The Spencer Davis Group.
--------------------------------------------
We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
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από https://www.youtube.com/watch?v=xO_c6-6gSec
από https://www.youtube.com/watch?v=yG1F5ZoRrJw
από https://www.youtube.com/watch?v=D51UB6tAwOY
από https://www.youtube.com/watch?v=XohN-dANxa8
από https://www.youtube.com/watch?v=E7uZKCB37b8
Donald Lautrec
Le jour du dernier jour (A whiter shade of pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher, Γαλλικοί Στίχοι:
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Jupiter 1967.
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Je sais bien qu'il viendra
le jour du dernier jour
Il viendra le dernier jour
et toi tu seras là
Tu seras près de moi
tu ne pleureras pas
Nous avons était heureux whé
tout au long de la route
Il viendra le jour
le jour du dernier jour
Oui mais toi tu seras la
pour prier près de moi
Je sais bien qu'il viendra
le jour du dernier jour
Il viendra le dernier jour
et toi tu sera la
Et j'emporterais ton coeur
au plus profond de mon coeur
Quand je quitterais la vie whé
pour m'en allé dans la nuit
Il viendra le jour
le jour du dernier jour
Oui mais toi tu seras la
a pour prier près de moi
Il viendra le jour
le jour du dernier jour......
--------------------------------------------Chanson de 1967
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album "Donald Lautrec - Toute Ma Carrière"
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1967
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από https://www.youtube.com/watch?v=PSr9olCmQCY
από https://www.youtube.com/watch?v=JZh8Vb6ns8c
Raymond Boisserie
Les orgues d' antan (A whiter shade of pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
(instrummental)
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« A Whiter Shade of Pale » chanson écrite par le groupe Procol Harum en 1967 a été reprise la même année par The Box Tops sur l'album The Letter/Neon Rainbow, par Giorgio Moroder et son Munich Machine en 1978 en version disco, puis par Annie Lennox dans l'album Medusa et par Black Label Society sur l'album Hangover Music Vol. IV. On la retrouve également enregistrée par Sarah Brightman et dans plusieurs albums de Bonnie Tyler. Elle est également reprise par David Lanz dans son album Cristofori's Dream. La chanteuse allemande Doro a également repris cette chanson sur son premier album solo Force majeure en 1989. Elle a aussi été reprise par Percy Sledge.
Lors de sa tournée consécutive à son second album, Peter Gabriel fera également une reprise punk de ce titre, à Boston en 1978. Il en parle sur son site 5 et l'on peut entendre cette version très décalée sur certains enregistrements non officiels.
La chanson a été adaptée en français en version "soul" par Alan Shelly en 1967. Face au rouleau compresseur de la version originale, cette adaptation est évidemment passée inaperçue. Elle a été reprise également par le chanteur québécois Donald Lautrec (Le Jour du dernier jour) dès 1967, puis pour Nicoletta en 1973 (Les orgues d'antan). Il en existe également des adaptations en allemand (Tränen im Gesicht), en italien par Dik Dik (Senza Luce), en japonais par Angela Aki (Blue Shadow), en suédois (Då är hon åter lika blek), en espagnol (Con Su Blanca Palidez), en portugais (Ao Meu Lado Outra Vez) et en finnois par Topmost (Merisairaat kasvot)
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sorti chez Trianon Pathé-Marconi
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από https://www.youtube.com/watch?v=eipgL7RDllA
από https://www.youtube.com/watch?v=Kn_Km68SLLg
ARTURO LABASTIDA
A WHITER SHADE OF PALE
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
(instrumental)
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SAXOFÓN
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EL SAX DE MÉXICO.
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από https://www.youtube.com/watch?v=R7idzG_hrPE
Angelica Parisi
A whiter shade of pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
--------------------------------------------
Saggio 10-06-2010
Centro Musicale Salernitano
Coriste: Angela D'Arminio ed io:Daniela De Mattia
Organo: Marco Parisi
Basso: Marco Parisi jr
Batteria: Gianpaolo Parisi
--------------------------------------------
We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
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από https://www.youtube.com/watch?v=9q-bzQs4RZQ
από https://www.youtube.com/watch?v=U0_uzvwbTvw
Pierre Belmonde
A Whiter Shade of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
(instrumental)
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Pan Flute
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από https://www.youtube.com/watch?v=_w1JlcuJh5Q
από https://www.youtube.com/watch?v=AZkeXNcPczA
από https://www.youtube.com/watch?v=tUA-KSsSw84
από https://www.youtube.com/watch?v=Z5VlLo5t2Fc
από https://www.youtube.com/watch?v=SBYY_aoW5D4
AGNALDO TIMÓTEO
ESSE AMOR QUE EU NÃO QUERIA
(A Whiter Shade of Pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher, Πορτογαλλικοί Στίχοι: ???
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Esse Amor Que Eu Não Queria
(1967)
Specializing in a repertory of romantic, old-fashioned, and quite kitschy songs, Agnaldo Timóteo became extremely popular with this simple formula and his vocal gifts, achieving prominence in the pantheon of Brazilian singers. Having albums released in Argentina (where he reached the hit parade), Mexico, the U.S.A., and England, he became so popular in Brazil that has been elected to political offices.
The son of a poor family, Agnaldo Timóteo worked hard during his childhood at diverse jobs, finally becoming a mechanic. In 1960, he moved to Rio and did all kinds of small jobs, including performing in a circus. After a break in TV (in producer/DJ Jair de Taumaturgo's Hoje é Dia de Rock), he recorded his first LP in 1965, Surge um Astro. His success was immediate, and from then on he recorded an album per year, performing throughout Brazil for packed houses. In 1968, he recorded "Meu Grito" (on Obrigado, Querida), a song written by Roberto Carlos/Erasmo Carlos which became his biggest hit, selling 600,000 copies. He also recorded and released the album Sung By Brazilian Internationally Famous Agnaldo Timóteo in Mexico and The Good Voice of Brazil in the U.S.A. and England.
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As horas de alegria
que marcavam minha vida
pararam de repente
e eu não pude evitar
no momento em que meus olhos
encontraram seu olhar
eu sempre evitava
encontrá-la em meu caminho
pois feliz eu me sentia
mesmo em plena solidão
mas chegou aquele dia
quando a vi na multidão
e fiquei apaixonado
sem ter forças pra fugir
desse amor
que eu
não queria reviver
pois com ele eu voltaria
a chorar
a sofrer
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από https://www.youtube.com/watch?v=hYJ5sJAAo54
από https://www.youtube.com/watch?v=_5sQAqOShCA
Patrice Fontaine
A Whiter Shade of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
(instrumental)
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flute de pan
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από https://www.youtube.com/watch?v=y4n8fNl3L_A
Rock in History
A Whiter Shade Of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
--------------------------------------------
We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
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από https://www.youtube.com/watch?v=Y6X653u5qrs
Linsley Ransom
A Whiter Shade Of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
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with revised lyrics meant to honor those we lost too soon to drug use. Includes video and pictures of Marilyn Monroe, Janis Joplin, and Judy Garland.
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από https://www.youtube.com/watch?v=Gn-7mwsXqCA
Italo Romeo
Senza Luce (A Whiter Shade Of Pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher, Ιταλικοί Στίχοι: Mogol (Giulio Rapetti)
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Han spento già la luce ..
Son rimasto solo io ..
e mi sento il mal di mare ..
Il bicchiere però è mio ..
cameriere lascia stare ..
Camminare io so .. !
L'aria fredda sai mi sveglierà ..
Oppure dormirò ..
Guardo lassù la notte ..
Quanto spazio intorno a me .. !
Sono solo nella strada ..
Oh no, no qualcuno c'è .. !
( .. insieme a te .. ! )
Non dire una parola .. !!
Ti darò quello che vuoi ..
Tu non le somigli molto ..
Non sei come lei .. !!
Però prendi la mia mano .. ♥
e cammina insieme a me il ..
Tuo viso adesso è bello ..
Tu sei bella come lei .. !
Guardo lassù la notte ..
Quanto spazio intorno a me .. !
Sono solo nella strada ..
Oh no, no qualcuno c'è ..
Insieme a te .. .. ❣
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από https://www.youtube.com/watch?v=TU5iHdceR4E
La Bottega dei Ricordi
Senza luce (A Whiter Shade Of Pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher, Ιταλικοί Στίχοι: Mogol (Giulio Rapetti)
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Han spento già la luce ..
Son rimasto solo io ..
e mi sento il mal di mare ..
Il bicchiere però è mio ..
cameriere lascia stare ..
Camminare io so .. !
L'aria fredda sai mi sveglierà ..
Oppure dormirò ..
Guardo lassù la notte ..
Quanto spazio intorno a me .. !
Sono solo nella strada ..
Oh no, no qualcuno c'è .. !
( .. insieme a te .. ! )
Non dire una parola .. !!
Ti darò quello che vuoi ..
Tu non le somigli molto ..
Non sei come lei .. !!
Però prendi la mia mano .. ♥
e cammina insieme a me il ..
Tuo viso adesso è bello ..
Tu sei bella come lei .. !
Guardo lassù la notte ..
Quanto spazio intorno a me .. !
Sono solo nella strada ..
Oh no, no qualcuno c'è ..
Insieme a te .. .. ❣
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από https://www.youtube.com/watch?v=N89dD9CV2xs
από https://www.youtube.com/watch?v=SkOjrBwp3wA
από https://www.youtube.com/watch?v=f9g34aEQppY
από https://www.youtube.com/watch?v=1CUlaW3Y9D4
από https://www.youtube.com/watch?v=CTa3iDxvjT8
από https://www.youtube.com/watch?v=l2bwMI2Z7ts
από https://www.youtube.com/watch?v=OJxcgUUC2qM
Engelbert Humperdinck & Renè Froger
A Whiter Shade of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
--------------------------------------------
We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
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Live optreden van Engelbert en René samen met een cover van Procol Harum onder begeleiding van Het Metropole Orchestra o.l.v. Arjan Tien. Speciaal voor de vele fans from overseas. Gespot op 30 december 2010.
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We skipped the light fandango
And turned cartwheels across the floor
I was feeling kind of seasick
The crowd called out for more
The room was humming harder
As the ceiling flew away
Whe we called out for another drink
The waiter brought a tray
And so it was that later
As the miller told his tale
That her face at first just ghostly
Turned a whiter shade of pale
She said there is no reason
And the truth is plain to see
But I wandered through my playing cards
Would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
At the moment my eyes were open
They might just as well have been closed
And so it was that later
As the miller told his tale
That her face at first just ghostly
Turned a whiter shade of pale
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karaoke
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από https://www.youtube.com/watch?v=JaSaVKrS6sM
Senza Luce (A Whiter Shade Of Pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher, Ιταλικοί Στίχοι: Mogol (Giulio Rapetti)
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Han spento già la luce
son rimasto solo io
e mi sento il mal di mare
il bicchiere però è mio
cameriere lascia stare
camminare io so
l'aria fredda sai mi sveglierà
oppure dormirò
Guardo lassù
la notte
quanto spazio intorno a me
sono solo nella strada
o no no qualcuno c'è (insieme a te)
Non dire una parola
ti darò quello che vuoi
tu non le somigli molto
non sei come lei
però prendi la mia mano
e cammina insieme a me il
tuo viso adesso è bello
tu sei bella come lei
Guardo lassù
la notte
quanto spazio intorno a me
sono solo nella strada
o no no qualcuno c'è (insieme a te)
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από https://www.youtube.com/watch?v=cUJONQXtzdM
Giorgio Murano e genesi umana
senza luce (A Whiter Shade Of Pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher, Ιταλικοί Στίχοι: Mogol (Giulio Rapetti)
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Han spento già la luce
son rimasto solo io
e mi sento il mal di mare
il bicchiere però è mio
cameriere lascia stare
camminare io so
l'aria fredda sai mi sveglierà
oppure dormirò
Guardo lassù
la notte
quanto spazio intorno a me
sono solo nella strada
o no no qualcuno c'è (insieme a te)
Non dire una parola
ti darò quello che vuoi
tu non le somigli molto
non sei come lei
però prendi la mia mano
e cammina insieme a me il
tuo viso adesso è bello
tu sei bella come lei
Guardo lassù ...
--------------------------------------------cameriere lascia stare
camminare io so
l'aria fredda sai mi sveglierà
oppure dormirò
Guardo lassù
la notte
quanto spazio intorno a me
sono solo nella strada
o no no qualcuno c'è (insieme a te)
Non dire una parola
ti darò quello che vuoi
tu non le somigli molto
non sei come lei
però prendi la mia mano
e cammina insieme a me il
tuo viso adesso è bello
tu sei bella come lei
Guardo lassù ...
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ΣΥΝΕΧΕΙΑ στην ανάρτηση Νο 1865
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