Κυριακή 23 Απριλίου 2017

1862-(ΛΣΤ' ΜΕΡΟΣ) a whiter shade of pale

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ΛΣΤ' ΜΕΡΟΣ
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Το Α' ΜΕΡΟΣ στην Ανάρτηση Νο 1827
Το Β' ΜΕΡΟΣ στην Ανάρτηση Νο 1828
Το Γ' ΜΕΡΟΣ στην Ανάρτηση Νο 1829
Το Δ' ΜΕΡΟΣ στην Ανάρτηση Νο 1830
Το Ε' ΜΕΡΟΣ στην Ανάρτηση Νο 1831
Το ΣΤ' ΜΕΡΟΣ στην Ανάρτηση Νο 1832
Το Ζ' ΜΕΡΟΣ στην Ανάρτηση Νο 1833
Το Η' ΜΕΡΟΣ στην Ανάρτηση Νο 1834
Το Θ' ΜΕΡΟΣ στην Ανάρτηση Νο 1835
Το Ι' ΜΕΡΟΣ στην Ανάρτηση Νο 1836
Το ΙΑ' ΜΕΡΟΣ στην Ανάρτηση Νο 1837
Το ΙΒ' ΜΕΡΟΣ στην Ανάρτηση Νο 1838
Το ΙΓ' ΜΕΡΟΣ στην Ανάρτηση Νο 1839
Το ΙΔ' ΜΕΡΟΣ στην Ανάρτηση Νο 1840
Το ΙΕ' ΜΕΡΟΣ στην Ανάρτηση Νο 1841
Το ΙΣΤ' ΜΕΡΟΣ στην Ανάρτηση Νο 1842 
Το ΙΖ' ΜΕΡΟΣ στην Ανάρτηση Νο 1843
Το ΙΗ' ΜΕΡΟΣ στην Ανάρτηση Νο 1844
Το ΙΘ' ΜΕΡΟΣ στην Ανάρτηση Νο 1845 
Το Κ' ΜΕΡΟΣ στην Ανάρτηση Νο 1846 
Το ΚΑ' ΜΕΡΟΣ στην Ανάρτηση Νο 1847 
Το ΚΒ' ΜΕΡΟΣ στην Ανάρτηση Νο 1848 
Το ΚΓ' ΜΕΡΟΣ στην Ανάρτηση Νο 1849
Το ΚΔ' ΜΕΡΟΣ στην Ανάρτηση Νο 1850 
Το ΚΕ' ΜΕΡΟΣ στην Ανάρτηση Νο 1851 
Το ΚΣΤ' ΜΕΡΟΣ στην Ανάρτηση Νο 1852 
Το ΚZ' ΜΕΡΟΣ στην Ανάρτηση Νο 1853 
Το ΚH' ΜΕΡΟΣ στην Ανάρτηση Νο 1854 
Το ΚΘ' ΜΕΡΟΣ στην Ανάρτηση Νο 1855 
Το Λ' ΜΕΡΟΣ στην Ανάρτηση Νο 1856  
Το ΛΑ' ΜΕΡΟΣ στην Ανάρτηση Νο 1857 
Το ΛΒ' ΜΕΡΟΣ στην Ανάρτηση Νο 1858 
Το ΛΓ' ΜΕΡΟΣ στην Ανάρτηση Νο 1859  
Το ΛΔ' ΜΕΡΟΣ στην Ανάρτηση Νο 1860   
Το ΛΕ' ΜΕΡΟΣ στην Ανάρτηση Νο 1861 
Το ΛΖ' ΜΕΡΟΣ στην Ανάρτηση Νο 1863  
Το ΛΗ' ΜΕΡΟΣ στην Ανάρτηση Νο 1864 
Το ΛΘ' ΜΕΡΟΣ στην Ανάρτηση Νο 1865 
Το Μ' ΜΕΡΟΣ στην Ανάρτηση Νο 1866
Το ΜΑ' ΜΕΡΟΣ στην Ανάρτηση Νο 1867
Το ΜΒ' ΜΕΡΟΣ στην Ανάρτηση Νο 1868 
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από https://www.youtube.com/watch?v=hjBZllDo_8E
από https://www.youtube.com/watch?v=AMS351p6irw
από https://www.youtube.com/watch?v=TCJierwkva4
από https://www.youtube.com/watch?v=Qkq0ZMAEvaY
από https://www.youtube.com/watch?v=X1VT3yotjP8
από https://www.youtube.com/watch?v=EE7YL8eNN_Q
από https://www.youtube.com/watch?v=Xtfpo5kWGlk
από https://www.youtube.com/watch?v=U_XEZ7ihS6k
από https://www.youtube.com/watch?v=MFT6S9cG0HE
από https://www.youtube.com/watch?v=I5JmmXC8hCA
από https://www.youtube.com/watch?v=d-SMj2Im6c0
από https://www.youtube.com/watch?v=KAe0ddjhCnw
από https://www.youtube.com/watch?v=yCYdC1caO7A
από https://www.youtube.com/watch?v=Eg7yjjS5yWY
από https://www.youtube.com/watch?v=UOar3WWQ2Gw
από https://www.youtube.com/watch?v=tnpo9gd2gS0
από https://www.youtube.com/watch?v=NB0xO8-acdQ
από https://www.youtube.com/watch?v=QPyDd86do-4
από https://www.youtube.com/watch?v=BOEIj4Z7Ilk
από https://www.youtube.com/watch?v=gFuSQFuCbno
από https://www.youtube.com/watch?v=pKLbk5FiH4k
από https://www.youtube.com/watch?v=yugnUDrduOg
από https://www.youtube.com/watch?v=cFy-OJ69f9I
από https://www.youtube.com/watch?v=drxRbgxMu3g
από https://www.youtube.com/watch?v=eyd82haspgk
από https://www.youtube.com/watch?v=bhkqcOHKvZY

Joe Cocker 
A Whiter Shade Of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher 
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We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
The waiter brought a tray

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said:"There is no reason
And the truth is plain to see."
As I wandered through my playing cards
And would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open
They might just as well been closed

And so it was that later
As the miller told his tale
Her face, at first just ghostly,
Turned a whiter shade of pale

Guitar Solo :

And so it was that later
As the miller told his tale
That her face, at first was ghostly,
Turned a whiter shade of pale
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31 October 1980
Metropol, Berlin, Germany

The Band :
Lead Guitar - Cliff Goodwin
Bass - Howard Hersh
Keyboards - Larry Marshall
Piano,Arranger - Mitch Chakour
Drums - B.J. Wilson
Vocals - Maxine Greene
Vocals - Ann Lang
Vocals - D.E. Washburne
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Recorded Live: 8/20/1983 - Loreley Amphitheatre - St. Goarshausen
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en el Concierto que dio en Italia en 1981.
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(Adelaide, Australia 1984)
Thebarton Theatre, Adelaide, May 16, 1984
On stage:
Joe Cocker - vocals
Cliff Goodwin - guitar
Barrie James (BJ) Wilson - drums
Howie Hersh - bass
Larry Marshall - keyboards
Tom Nicholson - piano, back vocals
Maxine Greene - back vocals
Linda Lawrance - back vocals
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We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
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We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
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Live
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John Robert "Joe" Cocker OBE (* 20. Mai 1944 in Sheffield, England; † 22. Dezember 2014 in Crawford, USA) is an English rock and blues singer, who came to popularity in the 1960s, and is most known for his gritty voice, his idiosyncratic arm movements while performing, and his cover versions of popular songs, particularly those of the Beatles.He is the recipient of several awards, including a 1983 Grammy Award for his #1 hit "Up Where We Belong", a duet he performed with Jennifer Warnes. He was ranked #97 on Rolling Stone's 100 greatest singers list.

"A Whiter Shade of Pale" is the debut song by the British band Procol Harum, released 12 May 1967. The single reached number one in the UK Singles Chart on 8 June 1967, and stayed there for six weeks. Without much promotion, it reached #5 on the US charts, as well. It is one of the fewer than 30 all-time singles to have sold 10 million (or more) copies worldwide. "A Whiter Shade of Pale" #57 on its list of the 500 Greatest Songs of All Time.
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We skipped the light fandango
And turned cartwheels cross the floor.
I was feeling kind of seasick
But the crowd called out for more.
The room was humming harder
And the ceiling flew away
When we called out for another drink
The waiter brought a tray
And so it was that later
As the miller told his tale
That her face at first just ghostly
Turned a whiter shade of pale.

She said "There is no reason,
And the truth is plain to see,"
But I wandered through my playing cards
And would not let her be,
One of sixteen vestal virgins
Who were leaving for the coast,
And although my eyes were open
They might just just have well been closed.
And so it was that later,
As the miller told his tale,
That her face at first just ghostly
Turned a whiter shade of pale.

She said she wanted shore leave
Tho in truth we were at sea
So I took her by a looking glass
And forced her to agree,
Saying you must be the mermaid
Who took Neptune for a ride
Well she smiled at me so sadly
That my anger straightway died
And so it was, etc...
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Γερμανική Μετάφραη
Songtext:

Wir tanzten den leichten Fandanga
schlugen Räder kreuz und quer
Ich fühlte mich irgendwie seekrank
jedoch die Menge schrie nach mehr
Der Saal begann zu kochen
während die Decke davon fegte
Als wir den nächsten Drink bestellten
brachte der Ober ein Tablett.

Und so kam es dann,
als der Müller seine Anekdoten zum Besten gab,
dass ihr Gesicht zu erst eher spukhaft
um eine Spur erbleichte.

Sie sagte, "Es gibt keinen Grund
und die Wahrheit ist offensichtlich."
Aber ich musterte mein Blatt
und wollte sie nicht als eine der 16 vestalischen Jungfrauen erscheinen lassen,
die zu neuen Ufern aufbrachen
Und es spielte keine Rolle, ob meine Augen
offen oder geschlossen waren.

Und so kam es dann,
als der Müller seine Anekdoten zum Besten gab,
dass ihr Gesicht zu erst eher spukhaft
um eine Spur erbleichte.
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We skipped the light fandango
turned cartwheels 'cross the floor
I was feeling kinda seasick
but the crowd called out for more
The room was humming harder
as the ceiling flew away
When we called out for another drink
the waiter brought a tray
And so it was that later
as the miller told his tale
that her face, at first just ghostly,
turned a whiter shade of pale
She said, 'There is no reason
and the truth is plain to see.'
But I wandered through my playing cards
and would not let her be
one of sixteen vestal virgins
who were leaving for the coast
and although my eyes were open
they might have just as well've been closed
She said, 'I'm home on shore leave,'
though in truth we were at sea
so I took her by the looking glass
and forced her to agree
saying, 'You must be the mermaid
who took Neptune for a ride.'
But she smiled at me so sadly
that my anger straightway died
If music be the food of love
then laughter is its queen
and likewise if behind is in front
then dirt in truth is clean
My mouth by then like cardboard
seemed to slip straight through my head
So we crash-dived straightway quickly
and attacked the ocean bed
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καραόκε
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(subtitulada en español) 
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(Live on Soundstage 1983) 
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We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
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Driving in Athens
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Live in Los Angeles 1976
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[Rockpalast 1983] 
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1975
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We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
The waiter brought a tray

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said:"There is no reason
And the truth is plain to see."
As I wandered through my playing cards
And would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open
They might just as well been closed

And so it was that later
As the miller told his tale
Her face, at first just ghostly,
Turned a whiter shade of pale

Guitar Solo :

And so it was that later
As the miller told his tale
That her face, at first was ghostly,
Turned a whiter shade of pale
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Графиня де Монсоро
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John Robert "Joe" Cocker OBE (20 May 1944 – 22 December 2014) was an English rock and blues singer who came to popularity in the 1960s. He was known for his gritty voice, spasmodic body movement in performance, and cover versions of popular songs, particularly those of the Beatles.

Cocker's cover of the Beatles' "With a Little Help from My Friends" reached number one in the UK in 1968, and he performed the song live at Woodstock in 1969. His version became the theme song for the TV series The Wonder Years. His 1975 cover of Billy Preston's "You Are So Beautiful", reached number five in the US. Cocker is the recipient of several awards, including a 1983 Grammy Award for his US number one "Up Where We Belong", a duet with Jennifer Warnes. In 1993 he was nominated for the Brit Award for Best British Male, in 2007 was awarded a bronze Sheffield Legends plaque in his hometown, and in 2008 he received an OBE at Buckingham Palace for services to music.
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Joe Cocker. A Whiter Shade Of Pale.
"A Whiter Shade of Pale" is the debut single by the English rock band Procol Harum, released 12 May 1967. The record reached number one in the UK Singles Chart on 8 June 1967, and stayed there for six weeks.[1] Without much promotion, it reached No. 5 on the US charts.[2] One of the counterculture anthems of the 1967 Summer of Love, it is one of fewer than 30 singles to have sold over 10 million copies worldwide.[3][4]

With its Bach-derived instrumental melody, soulful vocals, and unusual lyrics, written by the song's co-authors Gary Brooker, Keith Reid,[5] and organist Matthew Fisher, "A Whiter Shade of Pale" reached No. 1 in several countries when released in 1967. In the years since, it has become an enduring classic. As of 2009, it was the most played song in the last 75 years in public places in the United Kingdom,[6] and the UK performing rights group Phonographic Performance Limited in 2004 recognised it as the most-played record by British broadcasting of the past 70 years.[7] Also in 2004, Rolling Stone placed "A Whiter Shade of Pale" No. 57 on its list of the 500 Greatest Songs of All Time.
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(Live)
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από https://www.youtube.com/watch?v=z7DDpgDOIa0
από https://www.youtube.com/watch?v=7rYFC-9Q99M
από https://www.youtube.com/watch?v=TSgih3Lreaw

Artons
A whiter shade of pale 
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
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from Hungary. Played at Lake Balaton in the city Balatonkenese on 22 August 2008.
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Live performance
band from Hungary. Played at "Rock Ranch" - Gyuresz Kocsmája - in Bánd on 28 December 2010.
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We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale 
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από https://www.youtube.com/watch?v=xFghYkEfP6c

Bielszy odcień bieli (A Whiter Shade of Pale)
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher, Πολωνικοί Στίχοι: 
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Przeszliśmy od fandanga
Do serii skocznych „gwiazd”
Czułem się jak po sztormie
Lecz tłum zagrzewał nas
Narastał szum i jazgot
I pułap się zatracił

Na znak, że w szkle znów widać dno
Kelner przyszedł z tacą

I było tak, że potem
W czas dziwnych opowieści
Jej twarz, już przedtem blada
Wpadła w bieli, odcień bielszy

To samo z siebie – rzekła
Jak jest naprawdę – widać
Lecz spojrzałem w swoje karty
I jej nie pozwoliłem
By w szesnastce dziewic Westy
Miała udać się na brzeg
I choć oczy miałem wciąż otwarte
Równie dobrze mógłbym zamknąć je

I było tak, że potem
W czas dziwnych opowieści
Jej twarz, już przedtem blada
Wpadła w bieli, odcień bielszy

To brzeg już – wyszeptała
Choć wokół było morze
Więc zabrałem ją przed lustro
I by mogła oprzytomnieć
Rzekłem – Tyś syreną chyba
i Neptuna pragniesz zwieść
Lecz tak smutny mi posłała uśmiech
Że od razu zgasł mój gniew

I było tak, że potem
W czas dziwnych opowieści
Jej twarz, już wcześniej blada
Wpadła w bieli, odcień bielszy

Jak muzyka jest chlebem miłości
Tak jej królem jest śmiech
A gdy tył się staje przodem
To bezecność cnotą jest
Moje usta, natenczas – jak kartka
Wyślizgnęły się mej głowie
I już śmiało daliśmy nurka
W to oceaniczne łoże 

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Αγγλικοί Στίχοι......
We skipped the light fandango
turned cartwheels 'cross the floor
I was feeling kinda seasick
but the crowd called out for more

The room was humming harder
as the ceiling flew away
When we called out for another drink
the waiter brought a tray

And so it was that later
as the miller told his tale
that her face, at first just ghostly,
turned a whiter shade of pale

She said, 'There is no reason
and the truth is plain to see.'

But I wandered through my playing cards
and would not let her be
one of sixteen vestal virgins
who were leaving for the coast
and although my eyes were open
they might have just as well've been closed

She said, 'I'm home on shore leave,'
though in truth we were at sea
so I took her by the looking glass
and forced her to agree
saying, 'You must be the mermaid
who took Neptune for a ride.'

But she smiled at me so sadly
that my anger straightway died
If music be the food of love
then laughter is its queen
and likewise if behind is in front
then dirt in truth is clean

My mouth by then like cardboard
seemed to slip straight through my head
So we crash-dived straightway quickly
and attacked the ocean bed
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Πολωνική Μετάφραση.....
Rozpoczynając od zwinnego fandango
Przeszliśmy do wykonywania gwiazd na parkiecie
Czułem coś w rodzaju choroby morskiej
Ale tłum domagał się więcej

Gwar pomieszczenia zdawał się nasilać
W miarę jak sklepienie ulatywało w dal
Kiedy zamówiliśmy kolejnego drinka
Kelner przyniósł tacę

A nieco później
Kiedy młynarz opowiedział swoją historię
Jej twarz początkowo wydając się upiorną
Przybrała bielszy odcień bieli

Powiedziała: Nie ma żadnego powodu
A prawda jest jasna jak słońce

Ale moje myśli błądziły pomiędzy kartami do gry
I nie pozwoliłbym jej stać się
Jedną z szesnastu westalek
Które zmierzały w kierunku wybrzeża
I chociaż miałem otwarte oczy
Równie dobrze mogły one być zamknięte

Powiedziała: ?Jestem w domu z przepustką na ląd?
Chociaż faktycznie byliśmy na morzu
Więc zaprowadziłem ją przed lustro
I zmusiłem, by stwierdziła
I przyznała, że musi być syreną
Która oszukała Neptuna

Ale uśmiechnęła się do mnie tak ckliwie
Że mój gniew natychmiast zniknął
Jeśli muzyka jest pokarmem miłości
To śmiech jest jej królową
I podobnie, jeśli to, co za nami staje przed nami
Wówczas plugawy język prawdy staje się przyzwoitym

Miałem wrażenie, że moje usta do tego czasu
Były jak tektura wyślizgująca się z mojej głowy
Tak więc gwałtownie zanurzyliśmy się
Napierając na dno oceanu
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Kręcąc koła na parkiecie
Czułem się, jakbym miał chorobę morską,
Ale tłum prosił o więcej.
Pokój szumiał coraz bardziej,
A sufit odfrunął,
Kiedy zamówiliśmy następnego drinka,
Kelner przyszedł z tacą.

A później:
Gdy młynarz opowiadał swoją historię,
Jej twarz, początkowo jak widmo,
Przybrała bielszy odcienia bieli...

Powiedziała: "Nie ma żadnego powodu,
A prawda jest widoczna jak na dłoni"
Lecz ja nadal grałem w swoją grę
I nie chciałem, aby stała się jedną z dziewic z szesnastu westalek,
Wyruszających na wybrzeże.
I choć oczy miałem otwarte,
Równie dobrze mogły być zamknięte.

A później:
Gdy młynarz opowiadał swoją historię,
Jej twarz, początkowo jak widmo,
Nabrała bielszego odcienia bieli...

Powiedziała: "tutaj wyrzuciło mnie na ląd"
Zauważyłem ten szczegół, że byliśmy daleko na morzu...
I zmusiłem Ją do uzgodnienia,
Mówiąc: "Musisz być syreną, którą wziął Król Neptun na przejażdżkę..."
I uśmiechnęła się do mnie tak słodko,
Że momentalnie umarł mój gniew.

A później:
Gdy młynarz opowiadał swoją historię,
Jej twarz, początkowo jak widmo,
Nabrała bielszego odcienia bieli...

Jeśli muzyka jest pokarmem miłości,
Wówczas śmiech jest jej królewną,
I podobnie, jeśli to co było jest przed nami
Wówczas brudy w prawdzie są czyste.
Moje usta w tym momencie jak karton
Jakby ślizgały się przechodząc przez moją głowę
Więc szybko zanurkowaliśmy
Kłębiąc się w oceanicznych falach...

A później:
Gdy młynarz opowiadał swoją historię,
Jej twarz, początkowo jak widmo,
Nabrała bielszego odcienia bieli... 
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We skipped the light fandango

Opuściliśmy fandango (2)

And turned cartwheels cross the floor.

I zakręciliśmy kołami po parkiecie.

I was feeling kind of seasick

Czułem jakby chorobę morską,

But the crowd called out for more.

Ale tłum prosił o więcej.

The room was humming harder

Pokój szumiał coraz bardziej,

And the ceiling flew away

A sufit odfrunął.

When we called out for another drink (3)

Kiedy zamówiliśmy następnego drinka,

The waiter brought a tray

Kelner przyszedł z tacą,

And so it was that later

A później,

As the miller told his tale (4)

Gdy młynarz opowiadał swoją historię,

That her face at first just ghostly

Jej twarz, początkowo śmiertelnie sina,

Turned a whiter shade of pale.

Nabrała bielszego odcienia bladości.

She said \"There is no reason,

Powiedziała \"Nie ma powodu,

And the truth is plain to see,\"

A prawda jest widoczna jak na dłoni\",

But I wandered through my playing cards

Lecz ja wędrowałem wśród moich kart

And would not let her be

I nie chciałem, by się stała

One of sixteen vestal virgins (5)

Jedną z szesnastu westalek

Who were leaving for the coast

Wyruszających na wybrzeże,

And although my eyes were open

I choć oczy miałem otwarte,

They might just just have well been closed.

Równie dobrze mogły być zamknięte.

And so it was that later

A później,

As the miller told his tale

Gdy młynarz opowiadał swoją historię,

That her face at first just ghostly

Jej twarz, początkowo śmiertelnie sina,

Turned a whiter shade of pale.

Nabrała bielszego odcienia bladości. 

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από https://www.youtube.com/watch?v=cv8vU4sQoMA
από https://www.youtube.com/watch?v=B1xXX13L4fU

Kiran Chauhan
A Whiter Shade of Pale 
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher 
(instrumental) 
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(Alto Sax)
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(Alto Sax)-Take 2 
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από https://www.youtube.com/watch?v=--IdqymOAUQ

The Milton High School Concert Orchestra
A WHITER SHADE OF PALE 
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher 
(instrumental) 
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in its Spring Concert on April 28, 2011.
Mr. Richard Bomba, Director of Orchestras, conducting. Milton, Georgia, USA
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από https://www.youtube.com/watch?v=wQ7PmytrbDE

Cresta Verde String Quartet 

A Whiter Shade of Pale 
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher 
(instrumental) 
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arranged by Rosina
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από https://www.youtube.com/watch?v=u6PREqybfqk

CZESOLO
Bielszy odcien bieli (A Whiter Shade of Pale) 
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher, Πολωνικοί Στίχοι: 
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από https://www.youtube.com/watch?v=V2i8ANkw4mc

Johnny Borg And The Weed Eaters 
A Whiter Shade Of Pale 
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher  
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We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale 
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από https://www.youtube.com/watch?v=Cd16-pM_yQk

THE GOLDEN CUPS 
A Whiter Shade Of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher  
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the Cups were one of the most popular groups to emerge from Japan in the 2nd half of the 60s, & were blessed with an English speaking guitarist, Kenneth Ito, as well as gifted musicians Eddy Ban [lead guitar, who also owned one of the first imported fuzzboxes!], & Masayoshi Kabe [bass] - this their 1st longplayer demonstrates their ability to cover Western pop & soul, as well as their own superb originals.
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We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale 
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από https://www.youtube.com/watch?v=xVAcmCYGKpY

Ingrid 
A Whiter Shade Of Pale 
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher  
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We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
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από https://www.youtube.com/watch?v=N1rsCvccxuk
από https://www.youtube.com/watch?v=qCTCD_ulqao

Horea Crishan 
A Whiter Shade of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher 
(instrumental) 
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(1982)
Horea Crishan is a Romanian violinist and panflutist, born in 1945 in Hermannstadt (today Sibiu), Romania.
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© H. Crishan, Hamburg 2013
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από https://www.youtube.com/watch?v=PUxGERQ6CKY

Andrea Salvini 
A Whiter Shade of Pale  
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher 
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e alla batteria Sandro Ravasini.
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We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
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από https://www.youtube.com/watch?v=h4ZpNm8tiOw

A Whiter Shade of Pale 
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher  
(instrumental) 
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arr. Rob Ares
2002
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από https://www.youtube.com/watch?v=ac_Tedx3Sq8

Cathy Thou
A whiter shade of pale 
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher  
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We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale 
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από https://www.youtube.com/watch?v=-U7kD-6xiis

Various Artists - MashUp by VoiceDude
A Whiter Shade Of Peace 
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher  
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Video by Rui Belo & Gigi Boss 
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featuring:
Procol Harum - 'A Whiter Shade Of Pale' (1967) Catholic, John Lennon - 'Imagine' (1971) & 'Give Peace A Chance' (1969) agnostic,
Matisyahu - 'One Day' (2009) Hassidic Judaism, Akon - 'One Day' (2009) Muslim, Cat Stevens - 'Peace Train' (1971, 2006) Muslim,
Paul McCartney (Beatles) - 'Let It Be' (1970) Catholic, Dolly Parton - 'Peace Train' (1996) Pentecostal, Zain Bhikha - 'Peace Train' (2008) Hindu, Ladysmith Black Mumbazo - 'Peace Train' (1996) African Zionists, and Bob Marley - 'No Woman, No Cry' (1974) Rastafarian;
Quotes at intro: Dalai Lama - Buddhist, Gandhi - Hindu, MLK jr. - Baptist, Anwar Sadat - Muslim.

MashUp by Voicedude / Video by Rui Belo & Gigi Boss
Credits to all the artists. 
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από https://www.youtube.com/watch?v=jvR8LSzdKoU
από https://www.youtube.com/watch?v=9ekNdhymtEg
από https://www.youtube.com/watch?v=3ysIop_sXls
από https://www.youtube.com/watch?v=2sBzFqMJcJA
από https://www.youtube.com/watch?v=loqKbFNiUuE
από https://www.youtube.com/watch?v=3FEQcm3sx9M

Doomsday
A Whiter Shade of Pale
Μουσική - Στίχοι: Gary Brooker-Keith Reid-Matthew Fisher
(instrumental) 
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(Main Mix)
1996 Boy Records
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1996
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(Main Mix) (1996) 
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ΣΥΝΕΧΕΙΑ στην ανάρτηση Νο 1863 
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